Live from The Rose bowl !

DENVER (Billboard) - U2 and YouTube have teamed up to broadcast a live stream of the band’s Los Angeles-area concert this weekend via its YouTube channel.

The Sunday, October 25 show will take place at the Rose Bowl in Pasadena. Any fan wishing to tune in from the 16 countries supported will be able to do so for free.

This is YouTube’s second effort at live-streaming concerts. In August, it aired portions of the Outside Lands music festival in San Francisco. The U2 show will be the first start-to-finish live stream.

Like other live concert streams, portions will be archived and available for streaming after the event.

(Editing by SheriLinden at Reuters)

U2 makes it a night to remember for 60,000 fans in Norman

U2 fans will be talking about “the claw” for years, and how the Irish band brought a gigantic stage set to Norman that almost made Gaylord Family Oklahoma Memorial Stadium feel like an intimate venue — well, maybe a basketball arena. But even with that imposing, “in the round” superstructure towering over Owen Field, the emphasis Sunday night was on U2’s performance — all the visual flash was in service to the band, which performed a lengthy set spanning 26 years — or, as Bono said early in the set, the length of time since the group’s last stop in Norman.

Oklahoma Memorial Stadium in Norman, Okla. Photo by Sarah Phipps

“It took us 26 years to travel one mile,” Bono said, referring to the band’s performance at Lloyd Noble Center in 1983. And throughout the concert, Bono, guitarist The Edge, bassist Adam Clayton and drummer Larry Mullen Jr. took huge leaps through U2’s musical history, opening with three songs from this year’s “No Line on the Horizon” — “Breathe,” “Get On Your Boots” and “Magnificent,” before hurdling backward to 1991’s “Mysterious Ways.” While the group was highlighting its new songs whenever possible, U2 kept the crowd of 60,000 fans happy to the point of mass, ecstatic dancing when the group deployed its acknowledged classics such as “Beautiful Day” and “I Still Haven’t Found What I’m Looking For.”

This was an audience ready to play along: toward the end of “Still Haven’t Found,” Bono sang two lines of Ben E. King’s “Stand By Me,” and the stadium finished the first verse and chorus for him. Perhaps because the mood was right and the crowd was primed, U2 added two songs it had not played in previous shows on the tour, 2000’s “In a LIttle While” and the new “Unknown Caller,” a dramatic, half-chanted song partially constructed from computer commands. But after that deep plunge into the new disc, the band came roaring back to familiar territory with two of its most haunting songs, the Biblical melodrama “Until the End of the World” and a mesmerizing version of “The Unforgettable Fire.”

Spotlighting new material can be challenging to a band with a three-decade history, but the new songs from “No Line” intensified in the live setting, particularly a discofied “I’ll Go Crazy If I Don’t Go Crazy Tonight” and the show’s closer, “Moment of Surrender.” But U2 also brought an uncommon intensity to some older material, especially during a fiery version of “Sunday Bloody Sunday” that was performed against images from this year’s election protests in Iran. The Edge’s guitar work on “Bloody Sunday” was possibly his most energized of the evening, with Clayton and Mullen barreling through the song’s martial rhythm. And the band closed out the main set by devoting “MLK” and “Walk On” to jailed Myanmar opposition leader Aung San Suu Kyi, with Amnesty International volunteers walking the massive circular runway carrying masks bearing the imprisoned politician’s face.

While the Black Eyed Peas performed an energetic set of recent hits including “Boom Boom Pow,” “I Gotta Feeling” and “Meet Me Halfway,” the opener was the equivalent to a slick, Auto-Tuned pep rally for U2 — this is a group that has dominated the singles charts for most of 2009, but while the Peas had much of the crowd moving throughout their 45-minute segment, even a seemingly unstoppable dance-pop machine was merely a prologue for the stars of the evening. All in all, U2 played a long main set — 19 songs — and came back to play some of the most popular songs of its career, including “One,” “Where the Streets Have No Name” and “With or Without You,” with Bono singing into and swinging from a glowing circular microphone that dangled from the center of “the claw.” Sure, it looked like an alien landing, but U2 cleverly used the dimensions of its enormous stage to bring a human focus to the band and its performances.



 

Too Big For Texas: U2's 'Claw' Vs. Cowboy Stadium

By John McAlley

What happens when the biggest stage show in rock and roll history — U2’s 360-Degree Tour — sets up in the biggest domed stadium in the world — the new $1.2 billion Cowboy Stadium?

The answer is obvious: big problems.

Although they’ve scorched crowds with some of the most incendiary concerts of the past decade, the Irish rock band has not attempted a run of stadium shows since 1997’s much lambasted and remote-feeling PopMart tour. The 360-Degree outing, with its massive in-the-round stage set known affectionately as “The Claw,” is intended to solve the intimacy problems of playing to crowds upwards of 80,000. The thinking: if the stage is almost as big as the stadium itself, no fan will be left behind.

Did it work in Dallas? Find out after the jump.

First, the numbers: with an operating budget of $750,000 a day, U2’s tour employs nearly 400 people and 200 trucks to move three separate versions of the same 170-ton set from venue to venue. While U2 performs on one set at, say, Cowboy Stadium, another is being assembled at the next tour stop in Houston while a third is being transported for an upcoming gig in Oklahoma. The $40 million tangle of steel requires as much as 8 days of set-up and breakdown — for a two-hour show.

Cowboy Stadium accommodates over 100,000 fans. Its high-definition video screen — again, the biggest in the world — weighs the same as a 747, runs 60-yards in length and is suspended so ostentatiously at midfield that the showplace venue suffered a national embarrassment before it formally opened. In a preseason game against the Dallas Cowboys, Tennessee Titans punter A.J. Trapasso sent a kick right into the low-hanging guts of the thing.

U2's new stage set, the Claw, dominates the infield at Cowboy Stadium.

The Claw — slightly off center — illuminates Cowboy Stadium. The 170-ton stage set requires as much as 8 days to set up and break down. (John McAlley for NPR)

Whether the Claw helps U2 hit its fans in the gut is something we’ll never know in Texas. Taken separately, the Claw and Cowboy Stadium are epic feats of engineering, but throwing them together was like trying to wedge the Guggenheim Museum into the foyer of the Met. As soaring as Cowboy Stadium is, it couldn’t accommodate the Claw. The structure, which is designed to play at dead center of the field, had to be shunted into an end zone because of the looming GinormoTron, leaving tens of thousands of fans, well, a football field away from their favorite rock and roll band.

It caused the whole show to feel a little off, too — almost as if Bono and his mates sensed the loss of the centripetal, focusing force of their spectacular set.

But as anyone who has tracked his numerous global initiatives knows, Bono loves a challenge. And despite the need to enthrall the masses — over 70,000 attended the Dallas show and larger crowds have made dates in New York and Los Angeles sell-outs — the U2 song list doesn’t pander. The band fearlessly pushed forward material from its new No Line On The Horizon album and paraded — through the use of video images and Bono’s impassioned preachifying — noble causes ranging from the staunching of AIDS in Africa to the pursuit of justice for the persecuted Burmese-goverment opposition leader Aung San Suu Kyi.

“Just sing!” protested some of the Big D crowd. That is, until Bono thanked local icon George W. Bush for his contribution to the fight against AIDS. The mention was met with an ear-shattering roar, proof that even in an age of garishly outsized sports palaces and over-the-top entertainments, the oldest trick in the book — name-checking a good ol’ cowboy — can bring down the house.

 

CowBoo Stadium U2 Plays in Tin Can

Dallas: More than 70,000 people attended U2’s 360 show that stopped off at Cowboys Stadium last night.

The boys from Ireland could not be more comfortable in a sea of massive people and stage. They played for a little bit over 2 hours which for this tour seems to be the norm. Check the set list out on the following pages. The larger than life stage once again seemed to melt away as the band played thru some hits, new songs and songs they could not play. (Bono’s comments once again to the crowd)

Dressed in black and prone to raising his arms and tilting his head back, as if basking in the presence of his disciples, he wasted no time in preaching peace, asking for a “non-violent revolution” and turning “Walk On,” the final number before the encore, into a thought-provoking tribute to Burma’s Aung San Suu Kyi.

U2 explosive “Vertigo,” “Get On Your Boots,” “Elevation” and “Beautiful Day.” If you wanted a good groove, they delivered with “Mysterious Ways” and “I’ll Go Crazy If I Don’t Go Crazy Tonight.” The tunes from No Line On the Horizon, the quartet’s newest disc, blended perfectly with older material.

“Sunday Bloody Sunday,” an anthem that prompts fist pumping. It’s just as inspiring a song now, with all the violent political unrest in the world, as it was back in 1983 when it was originally released.

U2 landed its massive spaceship/stage comfortably inside the even more massive Cowboys Stadium on Monday night for a show that will be remembered as much for its sights as for its sounds.   Bono also gave a shout out to the Cowboys which were met with Boos. The night did not seem as magical as other cities yet fans agreed the show was far from what they expected and just as the feared. Cowboy Stadium was not built for sound some would argue not met for football either. However that’s not our focus.

So for the show stage, bands and music if you were up close we give the show an “A”. For Cowboy Stadium “F” this will go down as the worst venue on the North America tour.

Everything is bigger in Texas 360 Arrives

By any measure, U2 is one of the world’s biggest rock bands.

It stands to reason then, that for their latest jaunt around America, the rockers are delivering a truly outsized spectacle.

Dave Long/U2TOURFANS Staff 209 The U2 360º Tour boasts an immense, stadium-shrinking stage design that has wowed fans from Barcelona to Boston. Designed by production designer Willie Williams and architect Mark Fisher, longtime U2 collaborators, the circular, immersive stage has been on the band’s mind since at least 2006. According to notes furnished by U2’s record label, the four-legged model was initially developed over dinner with a few forks during the Vertigo Tour.

The Irish quartet hasn’t been to North Texas since around that same time — 2005 — while touring in support of How to Dismantle an Atomic Bomb. It has been more than a decade since U2 has played stadiums in North America; it last did so in 1997, during the infamous PopMart Tour.

With buzzy opening act Muse in tow, U2 plays Cowboys Stadium on Monday to promote its latest album, No Line on the Horizon. Tickets, as of this writing, are still available (Ticketmaster’s Web site showed seats at all price points), as are $30 “party passes” similar to the type sold for Dallas Cowboys games.

Here’s a closer look at U2’s gargantuan stage, designed, the band says, in an effort to “establish a physical proximity” to the audience. It will be situated near Cowboys Stadium’s eastern end zone.

The highest point

Much has been made about the fact that Cowboys owner Jerry Jones is willing to move the gigantic HDTVs for a rock concert but not

for a pro football game. That’s

probably because few punters could manage the considerable height of U2’s elaborate 360-degree stage. The overall steel structure is 90 feet tall, while the center pylon reaches a height of 150 feet.

Ready for a close-up

AMG/U2TOURFANS 2009While the whole audience can’t be on the field for an up-close look at Bono and his stylish shades, the band has made it easier to watch the action. Wrapped around the 360-degree stage is a cylindrical video screen, described by the band as “groundbreaking.” The screen weighs a whopping 54 tons — the overall design is built to withstand a weight of up to 180 tons — and covers 4,300 square feet.

Plenty of pixels

The cylindrical video screen is made up of 1 million individual elements: 500,000 pixels; 320,000 fasteners; 30,000 cables; and 150,000 machined pieces. It can be broken into segments on what’s called a “multiple pantograph system.” This allows the screen to open and/or spread apart vertically as an effect. The screen can open to 14,000 square feet, roughly the size of two doubles tennis courts.

Building it up, tearing it down

A stage this dramatic doesn’t go up quickly: The steel structure alone takes four days to build (the stages were originally constructed by the Belgian company Stageco). The construction of each stage requires the use of innovative, high-pressure hydraulic systems. It takes an additional 12 hours to load in the screen, stage and other production equipment. Once the crowds have dispersed, it takes the crew six hours to dismantle the production aspect. Forty-eight hours pass before the steel structure is taken down and removed from the stadium.

 

72,000 as One

“U2 fans found what they were looking for”

“With U2, 72,000 beat as 1”

U2’s ‘Magnificent’ Tampa performance”

 

The venue does matter. Looking back at all the great shows one main ingredient has to be the venue, and Tampa does not disappoint the boys from Ireland. U2 arrived in Tampa with all the hoopla focused on the large stage. Friday night’s show at Raymond James Stadium which considered to be toned down from previous productions however never call it small.     

The high-definition video screen, the major element in the band’s stated effort to bring the show closer to even the cheap seats, was the main attraction tech-wise. The enormous structure looming over the stage looked impressive all lit up, as at the beginning of “Where the Streets Have No Name,” but mostly faded into the background. Which is as it should be, because all the big-budget toys in the world can’t save a show this size from a second-rate band. And Friday’s show was first-rate.

The Edge’s arsenal of guitar effects gave the sound the heft it needed for the stadium setting. Bassist Adam Clayton and drummer Larry Mullen locked in tight, showing the benefits of 30 years of playing together. U2 may be the only band alive whose songs make more sense being played in front of more than 72,000 people. On the record, “I Still Haven’t Found What I’m Looking For” communicates restlessness and dissatisfaction. With thousands of voices singing along with U2 frontman Bono, it became a song about endless possibilities.

Songs of more recent vintage, such as “City of Blinding Lights” and “Beautiful Day” have that same quality. Friday, both exploded, as if U2’s last two scaled-down, arena tours hadn’t been big enough to house the songs.

Selections from this year’s “No Line on the Horizon” took on new life live as well. The band brought out the punkish simplicity of the title track to good effect, while “Get On Your Boots” became the rave-up it just missed being on disc.

The show’s latter portion focused more on social and political concerns, with photos from this year’s Iranian protests accompanying “Sunday, Bloody Sunday.” “Walk On” was dedicated to imprisoned Burmese leader Aung San Suu Kyi.

But in the end it was U2 that made the biggest impression — four musicians who wanted to be the biggest band in the world and succeeded.

Bono left the stage saying “Don’t forget about us” Which in the end seemed kind off for a band that just made the biggest impression on the bay area. You never forget your first, your last and most often the best so Bono I would said you have nothing to worry about.

A closing touch was the “One” campaign kiss photos featuring the muisc of Elton John’s Rocket Man. The night was complete, the stage hands, crew arrived with one swoop and off we go to the next city.

Sources: wide release

70,000 U2 Fans to attend Raymond James

Good Morning U2: GA Lots open and 10,000 fans can start pouring into the parking lots. Remember the first-come, first-serve line starts at 9 a.m.

Remember this you will not be admitted until 5 p.m. Tampa is expected to be very hot today 90+ Don’t waste your time to come early if you do not have a GA ticket. Drink lots of water and be ready to just chill out. No worries every spot in this venue happens to be a great one.

Dave Long/U2Tourfans 2009Sean Daly (sptimes.com) Intimate.” That seems like an odd word to use to describe That Thing, which takes 31/2 days to build — and 11/2 to tear down. The tour employs more than 350 staffers, traveling on 114 trucks; another 1,500 local workers will be on hand to make sure it’s all pulled off with panache.”

Fans with cell camera’s listen up we want to see your photos we have a special email address for you. Fill out the form and we will send you all the details.

Set List: Tonight we will have live set list updates and postings.

Dave Long/ U2Tourfans 2009 1000Mikes: We have reserved a mike channel - We have not selected someone to broadcast for us yet. Interested let us know.

Photos: We have a treat that we can not talk about yet. Know this if your from Tampa we will have a very special guest photo feature.

Video Drop/Photo Drop: The drop box was opened at 4 AM and we have some really great stuff. So if you want to send us your video or photos feel free to use this link.

Tickets: We do not have an extra tickets, nor can we get you any passes don’t ask.

Twitter: You can follow us via tweeter @U2tourfans If your posting too please add to the end of your post #U2TOURFANS that way we can track and RT your post -

What do you need to know: Read this section and be sure you drink lots of water

Blackberry Loves Tampa Too

Irish rockers U2 will step on stage tomorrow in Tampa, Florida, helped by BlackBerry’s sponsorship of their world tour in a deal no record company could offer.

Research In Motion Ltd.’s “BlackBerry Loves U2” advertising campaign is part of a trend where brands are stepping into the breach as plummeting sales shrink music labels’ marketing budgets. Once reluctant to be seen as selling out to corporate sponsors, artists are keen to sign up.

“BlackBerry made the TV commercial with our music and then spent many millions of dollars on media and TV worldwide,” U2 manager Paul McGuinness said by phone from the Toronto leg of the group’s multi-city tour. “They provided a budget that no record company could have possibly matched.”

Many question the fact that at most venues it does not even look like Blackberry is the sponsor. No creative thought into taging U2 and my blackberry at all. So I thought we would come up with my own 360 Blackberry marketing program if we was in charge of promotional work for either U2 or Blackberry. Yes we own a blackberry bold. So here goes

  1. Take a photo at one of the venues and you can upload it to a blackberry photo booth where you can view, share and send your photo to anyone you like. The site would be branded with both U2 and Blackberry and the frames around the photos can be something like Blackberry loves U2 and U.
  2. Change your tag line from “Sent from my XX Carrier Blackberry to Sent from U2 Venue Blackberry”
  3. Create a photo booth at the venue where I can send a image to a friend again cross branding.
  4. Blackberry Users and new owners get special access to media rich content that can be downloaded and saved on your blackberry.
  5. Blackberry wrappers around the venue - ( industry term, large plastic wrapper)
  6. For the early arrivals call home or send a message using a special Blackberry from the backberry tester. 
  7. Enter win something anything
  8. Tie promotion in with US wireless company - hum now that’s an idea
  9. Create a limited edition U2 blackberry ( ah sounds like hum my U2 Ipod)
  10. Do nothing. which seems to be the norm according to most venue fans.

 P.S. We had more but hey we don’t get paid for marketing Blackberry - But this last one is really good screen savers that can feature the venue or a member of the band

Promotional Consideration: NONE - We own Blackberry’s  long before it was cool to own one.