Forum U2 – General Admission Policy

Forum U2 – General Admission Policy

May 26, 27, 30, 31 & June, 3

The GA line will be formed in the North quadrant of the Forum Parking Lot, near Parking Lot B. Ticket holders will enter the venue via the “Floor Seats Entrance” located on the North side of the building between Ramp 4 and Ramp 5.
GA paperless ticket holders may begin lining up at 9:00am on the day of the show only.

No lines for future date shows will be permitted.

 Entering the Forum parking lot and GA line indicates the guest’s agreement to abide by all Forum policies and procedures.

Upon arrival, each guest who indicates he or she has a GA floor ticket will have a sequentially numbered wristband placed on their left wrist. Wristband distribution will begin at 12:00pm (subject to change).
All guests in a party must be present at the same time to enter the GA line and receive a GA wristband.
GA wristbands are provided on a first come first serve basis. Once a GA ticket holder receives a wristband, they may either wait in line or leave the area. If a guest chooses to leave the area, they must return to their place in line before 5:00pm. Beginning at 5:00pm, the order of the line will be set. All guests arriving after 5:00pm will be asked to go to the back of the line, regardless of the wristband number.
The Forum encourages guests to remain in line. Terrace restrooms and concessions will be open for guests that wish to remain in the queue all day.
Guests are not permitted to hold places in line for other guests.
Loss, removal or tampering of the GA wristband will result in loss of place in the GA line. Guests may also be asked to surrender their paperless tickets and leave Forum property.
Guests with a paperless GA ticket must have in their possession of the credit card used to purchase the tickets. All guests in the party must be present to receive a wristband and redeem their tickets to enter the venue.
GA tickets and wristbands are non-­‐transferable.
Two parking lots will OPEN @ 9am: the Prairie Gate & Gate 8.
Prairie Gate is onsite parking / $25 for general / $40 for Preferred
Gate 8 is offsite / parking is $20
Guests who want to leave AFTER receiving their GA wristband may do so. They MUST present their parking ticket to the attendant BEFORE they leave for instructions.
Parking refunds will NOT be issued, but guests may return with the appropriately stamped ticket by 5:00pm.
Guests returning AFTER 5:00pm must pay the prevailing rate to park.
Please be respectful to other guests in line.
The following actions and items are prohibited; any person who violates these policies may be subject to ejection without refund.
o    No running, pushing or line jumping
o    No smoking, alcoholic beverages, drugs or glass containers
o    No horseplay, unsafe behavior or foul language
o    No camping, tailgating, open flames or barbecues
o    No vending
o    No weapons, laser pens, signs, banners, oversized bags, video cameras, laptops, computers, tablets, professional cameras, monopods, tripods and audio recording devices.

Forum management reserves the right to amend or make additions to these policies at any time.

U2's Promising Tour Gives Fans More

Kevin Mazur /Wireline/ U2TOURFANS 2105

Kevin Mazur /Wireline/ U2TOURFANS 2105

The iNNOCENCE + eXPERIENCE Tour found U2 operating on a level few popular artists could even begin to aspire to Friday night at US Airways Center, where the sold-out crowd was treated to an elaborate pop-art spectacle that managed to push the theatrical boundaries of a rock show while advancing a social agenda or two with a sense of purpose and conviction.

It played to the back rows (and beyond) as much as any U2 concert. But for every bell and whistle, every grand attempt at making sure you understood that Bono still has something more important to convey than "Hello, Phoenix," Friday's concert also found them operating on a very human scale, letting their hair down in moments that thrived on spontaneity and self-effacing humor.

The look on Bono's face, as played out on a giant screen, when he sat at an upright piano and realized the part he was playing was horribly wrong was priceless. As was his reaction to the overly enthusiastic fan he brought on stage to strum along on acoustic guitar to "In God's Country."

"Ritalin is also good," Bono told him.

he staging spanned the length of US Airways Center, with a large rectangular i-shaped stage at one end of the venue, a smaller e-shaped stage at the other and a catwalk connecting the two, with a massive rectangular video cage suspended from the ceiling. A separate catwalk inside the cage allowed the members of U2 to immerse themselves in imaginative video projections — a visually stunning effect allowing Bono to walk the animated streets of his youth on "Iris (Hold Me Close)," a heartfelt tribute to his mother.

The screen was also used to powerful effect on an impassioned "Sunday Bloody Sunday," during which the faces of the victims of the Bloody Sunday incident in Northern Ireland were projected on the sides of animated houses as Bono poured his heart out on a chorus hook that sadly felt as relevant as ever: "How long must we sing this song?"

And that wasn't the only overtly political moment of the show. During "Pride (in the Name of Love)," a heartfelt tribute to the life and death of Martin Luther King, Jr., Bono said, "This is the moment where we get to talk about peace as an action" as part of a monologue that talked about "the courage to compromise in Ireland" before drawing a parallel between the violence there and the more recent strife in Baltimore and Ferguson.

Kevin Mazur /Wireline/ U2TOURFANS 2105

Kevin Mazur /Wireline/ U2TOURFANS 2105

Setting the tone for their performance with the Patti Smith song "People Have the Power" blaring on the PA, U2 took the stage and launched into a track from last year's "Songs of Innocence" whose title references another CBGB legend, "The Miracle (Of Joey Ramone)." A tribute to that life-affirming moment when you hear "a song that made some sense out of the world," it proved a brilliant introduction to a performance that clearly had making some sense of the world on its list of things to do.

They weren't shy about delving into "Songs of Innocence," playing six of the 11 tracks. But by the second song, they were blowing the dust off their first album, "Boy," with the post-punk urgency of "The Electric Co.," the Edge's guitar mixed gloriously high and Bono, an energetic presence in excellent voice throughout the night, inserting a snippet of "Send in the Clowns."

"Anyone speak Spanish around here?" Bono asked coming out of that one. "'Cause clearly I don't." And with that, he counted off a raucous "Vertigo," swatting the lightbulb that hung from the ceiling just over his head. The rock vibe carried over into "I Will Follow," during which the singer brought an eight-year-old on stage and sang the lyrics at him as his bandmates brought the music to a climax.

The night's first monologue found Bono joking about the way Americans had ruined the word awesome. But "as overused as it is," he said, "it applies" to the "miracle of a landscape that is Arizona." He then informed us that over the course of the next few songs, they were going to try to transport us to where they'd grown up. This set up the show's most visually arresting suite, as "Iris (Take Me Home)" gave way to "Cedarwood Road" and "Song for Someone," all from "Songs of Innocence."

Kevin Mazur/Wireline/ U2TOURFANS 2015

Kevin Mazur/Wireline/ U2TOURFANS 2015

The pacing and staging were flawless as they made their way from there through such obvious highlights as "Sunday Bloody Sunday," "Even Better Than the Real Thing," "Beautiful Day," "Bad" and a majestic, set-closing "With Or Without You."

Bono brought three sisters on stage to dance along to "Mysterious Ways" and "Desire" and had one of them live-stream the action on her cellphone, which was great fun. And they stripped things down to beautiful effect with the Edge on piano as Bono delivered a gorgeous, soulful "Every Breaking Wave" on the little e-shaped stage before the rhythm section — the ever-stylish Adam Clayton and Larry Mullen, Jr. — kicked into the concert's most electrifying rocker, "Bullet the Blue Sky." Bono changed the words on that one to "Jazz man breathes into a saxophone while everyone stares into their cell phone," one of several playful touches that offset the moments that bordered on overly serious.

The encore began with a piped-in speech by Stephen Hawking about how "we must become global citizens" and live together "with tolerance and respect," effectively setting the stage for a powerful "City of Blinding Lights." Then, after a speech about conquering AIDS, Bono delivered a moving rendition of Paul Simon's "Mother and Child Reunion," slowing it down for dramatic effect, before bringing the night to a triumphant close with two songs from "The Joshua Tree," "Where the Streets Have No Name" and "I Still Haven't Found What I'm Looking For."

It was everything a U2 fan could possibly have hoped for in 2015 and a testament to how much more these veteran rockers have to offer 35 years after "Boy" first suggested a promising future.

U2 And The Daunting Challenge of The Innocence and Experience Tour

Will The Spirit Still Walk Through The Room?

U2 And The Daunting Challenge of The Innocence and Experience Tour

Nashville: JB Brookman

The age of the internet has backed the greatest band on the planet into a corner…

(Kevin Mazur/WireImage) U2TOURFANS 2015

(Kevin Mazur/WireImage) U2TOURFANS 2015

The Beatles, Johnny Cash and the Stones never had to deal with the backlash that a band of U2’s caliber is currently toe to toe in a death-match with.  In this day and age, it’s hip to be a hater and the land of Facebook and Twitter is dominated by them.  When U2 and Apple put together a brilliant (26 U2 titles shot on to the iTunes top 200 albums chart at once) and fan-friendly marketing strategy to give Innocence and Experience away for free, the naysayers swung with all their might and did so in droves. 

The media jumped on the backlash and painted a negative image of an album that had nothing to do with the music.  The “5th member of U2” Paul McGuinness left as the band’s manager, leaving them in unchartered territory. 

Many feared that this could be the end of U2.  Had they become irrelevant?  Had Bono’s earnestness and political fighting's for Africa become an image-killer?  Had manufactured music, boy bands and sex selling female vocalists completely taken over the landscape in 2015?  

The first time this writer saw U2 live (1985 Unforgettable Fire Tour- Sports Arena, Los Angeles), Bono was able to scream out notes in full register and recklessly climb up speaker clusters, wrapped in an Irish flag to confront and demand the attention and respect of fans.  Now, it is some 30 years later and the challenges of life have battered Paul Hewson’s 55-year old body.  A serious and possibly life-threatening back injury delayed the 360 Tour in 2009 and Bono’s recent New York bicycle accident has left him with permanent arm/hand damage that has even stolen his ability to strum a guitar (Larry Mullen has also dealt with injury in the past and Adam Clayton has dealt with addiction and depression issues).  

God is in the room… It feels like there’s a blessing on the band right now. And I don’t know what it is, but it feels like God walking through the room, and it feels like a blessing, and in the end, music is a kind of sacrament; it’s not just about airplay or chart positions.
— Bono (Heath, Rolling Stone, May 10, 2001)

Needless to say, the next 6 months are the pivot point in the career of U2.  They will either fade gently into that goodnight or ascend and re-take their place as the greatest live band in music history.  They have always found a way to fight through new ground, in a live show.  Rumors of the new tour include a state of the art sound system and a show that takes over the entire span of arena floors.  Bono has always said that there is a special time in each U2 show where “the Spirit walks through the room” and a certain magic happens.  Can the band tap into that same life force this Summer? 

(Kevin Mazur/WireImage) U2TOURFANS

(Kevin Mazur/WireImage) U2TOURFANS

The truth is this…  U2 are a scrappy, hard-nosed crew with a monster work ethic.  They are at their best, when it’s time to change… time to burn down what they were, reinvent themselves and rise again from the ashes.  They battle and innovate and are willing to take risks that other groups have never taken. 

Whether it was putting their financial futures in check with the gigantic, groundbreaking Zoo TV and PopMart Tours or tearing down the Joshua Tree and making a new sound with Achtung Baby, this has been true.  The Irishmen are the first ones to the scene of the fight and they aint going down until you put them in the dirt.

A month after the Apple roller coaster, Rolling Stone named I & E their Album of the Year and the band has entered the ring for their North American Tour that opened this weekend in Vancouver.  As “Volcano” from the latest album says: “The world is spinning fast tonight, You can hurt yourself tryin’ to hold on, To what you used to be.  I’m so glad the past is gone”  Yes, U2 have a legendary past.  But, now is their time to create a new powerful and relevant future.

JB Brookmam

Rock and Roll Celebrity Concert Photographer Founder/Editor of Nashville Live Magazine and Hollywood Icon Magazine Concerts & More:

U2 iNNOCENCE + eXPERIENCE Tour Vancouver Review


Photo by Kevin Mazur/WireImage / U2TOURFANS 2015

Photo by Kevin Mazur/WireImage / U2TOURFANS 2015

First and foremost - those of you planning to see U2 on their innocence + experience World Tour are in for a magical, one of a kind experience that you’ll never forget.

It’s been Nearly 4 years since their hugely successful 360 Tour wrapped up here in Canada and here is where
they’d open up their widely anticipated tour for capacity crowds in Vancouver B.C.

There had been a lot of speculation about possible delays after Bono’s serious accident earlier
this year and followed by last week’s passing of Larry Mullen’s father - but the band pressed on.
After 5 weeks of intense rehearsals here in the mountain town renowned for it’s warm hospitality, U2 signaled to the world that they are not only up for the rigors of a world tour - they
are excited to perform.

Photo by Kevin Mazur/WireImage /(U2TOURFANS 2015)

Photo by Kevin Mazur/WireImage /(U2TOURFANS 2015)

With no opening acts scheduled, the band finally took the stage and Thursday and Friday nights
to very receptive and capacity audiences. Opening night had them breaking into their signature song off the new album “Miracle (of Joey Ramone) followed by ‘Out of Control’ ‘Vertigo' and ‘I will Follow’. It was clear the band was ready to give the crowd what they came for - a mix of new songs, signature favorites and a level of emotion that only grew with every song.

Admitting his last few months of recuperation were tough, Bono thanked the doctors who took care of him and told the crowd he wasn’t going to ‘stay in the past too long’ as he and the band had their sights set on the future. Having recently voiced the band’s concern over maintaining relevancy after nearly 40 years of making music, Bono also alluded that this tour was to be much more intimate and scaled down from the massive 360 production - almost as if he was trying to curb our expectations in
advance. Well played Bono!

Within 10 minutes of their opening night, the band showed they are still more than capable of
thrilling fans worldwide - and more importantly that they still care about making great music.
Their nerves seemed to settle also as they broke into their first live performance of ‘Iris’ (a
moving song about Bono’s mother), ‘Cedarwood Road’ (reflections of growing up in 70’s Dublin)
and ‘Song for Someone’ (an ode to Bono’s wife). Any concerns someone might have had about
an ‘irrelevant’ or ‘predictable’ U2 would quickly evaporate as a dazzling, high-def curtain of
animated lights descended from the ceiling to recreate in colorful fashion both whimsical and
poignant moments along the band’s journey over the years.

Photo by Kevin Mazur/WireImage (U2TOURFANS 2015)

Photo by Kevin Mazur/WireImage (U2TOURFANS 2015)

U2 combined this spectacular display with songs from the new album in spectacular fashion as homage was paid to those people and events which influenced over the years. Lennon, Bowie, Sex Pistols, David Byrne, Lou Reed, BB King, The Ramones and many others all played an important part in making U2 who they are today - and they recognized that fact in grand fashion.

Equally profound was the way in which they honored the notion of peace and love - love of
parents, friends, family, hometown and the memories that clearly inspire them every day.
The band performed segments of the show inside this semitransparent curtain of lights along a
narrow walk way leading to another stage on the opposite side of the arena. U2 has always
been known for their close interaction with their audience over the years and this tour is
probably the best ever in that respect.

It was on opening night that The Edge pushed that experience to the max when he accidentally stepped off the stage and into the audience below - a move that left him a little bruised and embarrassed but otherwise ok - thank goodness! Bono had a little fun with the guitarist’s misstep the following night when he and the other bandmates offered to accompany The Edge down the same walkway to ensure his safety. The quip caused The Edge to break out in a big smile and the audience to have a laugh with the band - life happens, even to rock stars.

Both nights saw the show really begin to take shape and flex it’s personality during renditions of
‘Sunday Bloody Sunday’ and ‘Raised by Wolves’. It was at the end of ‘Wolves’ that a tribute to the 33 people killed in the 1974 Dublin car bombings was presented when the faces of those killed were presented along the 100 foot screen - a somber, powerful moment.

Equally strong towards the end of both shows was Bono’s (positive) message to get involved with their in an effort to eradicate HIV worldwide, a worthy goal to be certain. This while a touching rendition of ‘Where the Streets Have No Name’ began to play which really got the audience dancing in the isles.

U2 took a considerable amount of heat over the release of this new album, but at the end of the
day their music and performance during this tour remains faithful to the overall ‘soul’ of the band
- and that is the key to their long success. Yes there may be a few missed notes, improvised
lyrics and technical glitches but it’s precisely why we love them so much - they’re real. And in a
world of overly produced and formula driven musical ‘talent’ where over-hyped news (mostly
bad) travels faster than an automatically downloaded album - U2 has managed managed to
remind us all that being relevant in any aspect of life means taking risks, remembering your
roots and staying true to one’s self. Thank you for that gentlemen.

Tim Durkan is a photographer and music enthusiast from Seattle Wa.
He first saw U2 perform in 1987 during their Joshua Tree tour in Ireland and has since seen
them in 4 countries over the last 30 years. Please feel free to visit him on Facebook at or