We have heard some noise around the possibility of Croke Park next summer. The promoters will be announcing the upcoming shows for 2015 within the venue. U2 has always been one act to pull in large numbers. However, the question has come up would fans prefer a smaller venue this time around. 82,000 fans stand ready to purchase tickets in either case. We will keep our ear to the ground and check in with our sources within the next day or so. One thing is for sure U2 will be on tour next year.
The boys should be out on tour next May or early June 2015 right after the Hockey plays offs and NBA should be all wrapped up by that time. Starting dates are still fluid as the our friends in Live Nation Global touring work the routing of the band out we can expect to see some announcement and possible ticket sales around 11/22/14 with pre-sale starting sooner. Now of course this could all fall apart without warning. Its fluid we said so expect change
We have been working for the past couple of months to build a new interactive U2 community within the U2TOURFANS social experience.
Our team with the help of a few hundred great fans have created an online community that will allow you to share music, videos, stories, thoughts and well pretty much anything related to U2.
Yes you have a few other choices to share your thoughts on-line. What this new community will offer you is the chance to be apart of something fresh creative and most of all yours !
Yes that means you are free to comment, create or even share anything you like (remember its all U2)
This is your community and we welcome your feedback. Its time to be part of the U2TOURFANS community. The doors are open and we invite you in. Remember its brand new you make this community grow with your interactive comments.
By MICHAEL RODRIGUEZ
Perhaps the greatest myth perpetuated since the advent of Facebook and Twitter is that all opinions have clout.
You can now find keyboard warriors likening themselves to hipsters and elitists – although I doubt they understand what those terms truly imply – and believing that what they have to say really matters. But they’re not completely at fault. Consider the fact that these very people are encouraged when their tweets and statuses are quoted in hard news stories about the latest controversies gone viral; as if whatever “@jengirl2002,” “Philip the Destroyer of Waffles,” “Tyler, The Creator” or “Sharon Osbourne” says is somehow relevant for all of us.
Enter U2. On Sept. 9, 2014, the legendary band’s long-awaited followup to 2009’s meditative No Line on the Horizon finally arrived, and it was a surprise! In a fitting collaboration with Apple at the tech leviathan’s annual press conference, U2 announced the release of their new album, Songs of Innocence, at no cost to iTunes subscribers.
Now, before I continue, remember that the only press U2 received prior to the hilarity that ensued following Songs’ release was its delay. Citing a source, Billboard.com had previously announced that the new U2 album and tour were pushed back to next year. In short, this was an album people wanted; otherwise, surely an institution as reputable as Billboard.com wouldn’t have gone to such lengths as publishing an article projecting the postponement of the world’s biggest band’s heavily-anticipated new album solely on the merits of a single source... unless, of course, it was a matter of importance and significance to its readers.
But I digress.
So a few people went bananas because they got Songs and didn’t want it, and the album’s release is suddenly labeled a “disaster?” According to whom exactly: The small, albeit loud handful of people who logged onto social media networks where they vomited their disdain for U2, or the pretentious critics whose reviews have been far more critical of the method of release and Bono’s humanitarianism than the actual music.
Neither are very compelling arguments.
While I realize there have been thousands, heck...let’s say tens of thousands of complaints about the new U2 being gifted to people who didn’t ask for it, I refer to this group as “small” because – when compared to the sheer volume represented in the 38 million who’ve reportedly listened to Songs – the haters are indeed dwarfed.
And yet, Apple felt so compelled by the supposed backlash of a small contingency that it actually created a button to remove the album from users’ iTunes accounts. That said, let’s stop and consider what this situation has really taught us: To get what you want, all you have to do is be loud and obnoxious, and even a corporation as big and powerful as Apple will bend to your will.
This, ladies and gents, is far more offensive and alarming than any album that finds its way onto your devices.
Granted, this is just my opinion, and I did after all imply that not all opinions matter. So why should mine? Well, I’m not asking that my word be taken as gospel. What I will ask is that you take the millions of people who made the U2 360 Tour the highest-grossing, highest-attended tour of all time into consideration. Approximately 10 million people alone watched the band’s 2009 Pasadena, California show via YouTube. More than 25 of the band’s records have charted on iTunes since Songs was released, and let’s not forget the aforementioned 38 million listens/downloads (...and counting) the new album is currently enjoying.
This, my friends, is no disaster. This band is still very much in demand, maybe more now than ever.
Songs of Innocence is a tour de force plagued only by one thing – the self-importance of people who hated U2 anyway. They were only given a mouthpiece this time because of two reasons: 1.) The nature of the release opened the door for them to vent; and 2.) Because their hate-filled diatribes supported theories that giving music away to consumers is the death rattle of an already-broken music industry. Well, the alarmists who espouse such theories are right about one thing. The music industry is broken, but it’s not because of free albums. The cancer that’s consuming popular music today is...well, music today. Gifting Songs to iTunes subscribers was only an admirable attempt to treat a symptom. I can only hope that this new music format helmed by Apple that Bono has reportedly said is in the works will indeed be a game-changer.
In the meantime, remember that U2 continues to represent all that rock and roll once stood for: passion, innovation and rebellion. In a day and age when rock doesn’t matter anymore, it’s refreshing to see that U2 still does.
Note: Michael Rodriguez is a journalist who hails from a border community in the Rio Grande Valley of South Texas, where he serves as the managing editor of the semi-weekly newspaper, the San Benito News. Part 2 of his series, “Why U2 Matters,” will focus on the writer’s love for the band and how it inspired him to seek a career in writing and journalism.
"I think it’s going to get very exciting for the music business," he said, adding that the project will be "an audiovisual interactive format for music that can’t be pirated and will bring back album artwork in the most powerful way, where you can play with the lyrics and get behind the songs when you’re sitting on the subway with your iPad or on these big flat screens. You can see photography like you’ve never seen it before."
- See more at: http://www.independent.ie/entertainment/music/music-news/u2-have-another-new-album-and-project-with-apple-in-the-works-30599894.html#sthash.N9XEwxfu.dpuf
In the two minute clip, Bono opens up with some rather prophetic statements about the band’s new work. “These songs were always destined,” he’s heard to remark as they tune up instruments.
“But rather than it being paint by number where it’s very disciplined and prescribed.
I always think of the zen artists – they spend all their time mixing the ink.
And it’s those last few minutes where those gestures are recorded. That’s the way all our albums go.”
The video depicts the band’s tight space, playing with hard guitar lines, different vocal styles and discussing how imagination and art work together.
And even though the studio looks like a rather poorly lit place, rest-assured Bono doesn’t lose his sunglasses.
A letter from Bono, on the arrival 'of our new baby' - Songs of Innocence.
'Hello, bonjour, ciao, hola, hallo, zdravo, dobar dan, Dia duit, hæ, hej,hei, cześć, olá, ćao, namaste, sawatdee, jambo, pozdravi, Γεια σου, привіт, שלום, مرحبا, こんにちは, , سلام, 你好, Привет….
Remember us? Pleased to announce myself, Edge, Adam and Larry have finally given birth to our new baby… Songs of Innocence. It’s been a while. We wanted to get it right for you/us. We just finished it last week and thanks to Apple and iTunes it’s with you today. That’s already amazing to me as it normally takes a few months to turn this stuff around.
Part of the DNA of this band has always been the desire to get our music to as many people as possible. In the next 24 hours, over a half a billion people are going to have Songs of Innocence… should they choose to check it out. That is so exciting. People who haven’t heard our music, or weren’t remotely interested, might play us for the first time because we’re in their library. Country fans, hip hop afficionados from east LA, electro poppers from Seoul, Bhangra fans from New Delhi, Highlifers in Accra… might JUST be tempted to check us out, even for a moment.
What a mind blowing, head scratching, 21st century situation. Over 500 million people… that’s a billion ears. And for the people out there who have no interest in checking us out, look at it this way… the blood, sweat and tears of some Irish guys are in your junk mail.
You’ll have noticed the album is free to U2.com’ers from the band. It’s also free to everyone on iTunes thanks to Apple. To celebrate the ten year anniversary of our iPod commercial, they bought it as a gift to give to all their music customers.
Free, but paid for. Because if no-one's paying anything for it, we’re not sure “free” music is really that free. It usually comes at a cost to the art form and the artist… which has big implications, not for us in U2, but for future musicians and their music... all the songs that have yet to be written by the talents of the future… who need to make a living to write them.
We’re collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed. We’ll keep you posted. If you like Songs of Innocence, stay with us for Songs of Experience. It should be ready soon enough… although I know I’ve said that before…
I hope after listening to our new long player a few times, you’ll understand why it took so long. We really went there… it’s a very, very personal album. Apologies if that gets excruciating… actually, I take that back. No apologies if it gets excruciating. What’s the point in being in U2 if you can’t go there?
There is no end to LOVE.'
Just 35 years ago “Three” was produced as a limited run of 1,000 number copies.
It of course has been reissued a number of times since, about six more times.
However, it remains the most rarest U2 release ever and was later released on a CD in 2008 as part of the bonus disco with the reissue of Boy.
The track order determined by a listener poll on Fanning’s radio show; Callers chose "Out of Control" to be the A-side of the record, with "Boy/Girl" and "Stories for Boys" as runners-up, constituting the B-side of the record.
Shortly after the boys released the singles "Another Day", "11 O'Clock Tick Tock", and "A Day Without Me" before releasing Boy, in 1980.
U2 performed all songs from Three live regularly in the band's formative years. The earliest known performances of "Out of Control" and "Stories for Boys" took place in August 1979. "Out of Control" was written on lead singer Bono's eighteenth birthday."Boy/Girl" may have also been played at this stage: a song named "In Your Hand" may have been related in some way to "Boy/Girl" but no recordings of it exist.
The first confirmed performance of "Boy/Girl" took place in October 1979. All three songs were regularly performed on the Boy Tour in 1980–1981, although "Boy/Girl" appeared less than the others.
"Stories for Boys," which premiered at an unknown date in August 1979, was used as a concert opener a few times before being moved to late in the main setlist, nearer to "Out of Control", which was typically the last song of the main set. In mid-March 1981, the Three songs were united to close the main set.
"Stories for Boys" was first, followed by "Boy/Girl", which segued into "Out of Control". This trilogy lasted until the end of the tour.
"Boy/Girl" and "Stories for Boys" did not remain in the band's live repertoire long after the end of the Boy Tour. "Boy/Girl" was played three times afterwards, while "Stories For Boys" was initially frequently performed on the October Tour before it was removed from the setlist in late March 1982.
"Out of Control", however, remained in the band's live show for longer, rotating with "Gloria" as the concert opener on the War Tour and the first leg of the Unforgettable Fire Tour.
It then appeared twice late in the Unforgettable Fire Tour before returning sporadically to the setlist on the third leg of the Joshua Tree Tour and three performances on the Lovetown Tour. "Out Of Control" then had an absence from live shows of over eleven years.
It was played again on 15 May 2001 on the Elevation Tour. After initial infrequent performances proved popular with fans, it became more regular in the setlist as the tour progressed. It was retained on the Vertigo Tour for special occasions; it was played a total of nine times, including instances in Toronto and Los Angeles where U2 performed it with local bands. "Out of Control" made its U2 360° Tour debut in São Paulo.It made 5 other U2 360° appearances.
The song was also the closer to the Glastonbury 2011 set. The Vertigo Tour also saw part of "Stories for Boys" return to the setlist - Bono acknowledged its lyrical relationship with "Vertigo" by snippeting some lyrics from "Stories for Boys" at the end of "Vertigo".
This snippet was a regular feature of shows on the Vertigo Tour's first leg but was done only sporadically on the second leg and never on subsequent legs.
What’s up next for the boys 35 years later? Lucky 13 is on the way and the boys are wrapping up some promotional videos and pretty much putting on the finishing touches to get ready for another massive year ahead.
Confirmed by city council that the boys from Dublin had paid to around the bridge and the bridge closed for a U2 project that cost around 2,000 Euros per day and lets not forget the VAT charges.
The council agreed to close the bridge last Sunday, which was the worst possible time because of the rail strike.
Not a chance anyone saw the boys because of the amount of security yet that did not stop fans from hanging around to catch a view.
Now that the album is finished, we can expect to see more of the boys shooting videos possible interviews as well as kicking up the marketing machines.
John Books who lives along the banks of Lough Sheelin spent most of the evening wondering and wading through the swamp to capture this video.
Earlier in the day, he spotted some luxury buses and some expensive looking cars driving around.
By Tuesday morning, work crews were on site to dismantle the scaffolding used the night before to support the professional filming equipment. This was an expensive show of fireworks, that wrapped up just after midnight as crews packed up no sign of any of the members of U2.
A great light show and if it was U2 working on their new video its going to be pretty amazing.