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U2 rocks ANZ stadium

IT WAS all about the music, that “space station” of a stage and celebrity shout outs, when U2 opened their Sydney shows at ANZ Stadium last night.

Oprah was in the house, so was Nicole Kidman, Kanye West and Bob Geldof - who was name checked just before Bono dedicated “Stuck in the Moment” to his late friend Michael Hutchence.

For the past two decades, the Irish band have consistently raised the benchmark for the concert experience, successfully using technology to dazzle their audience and refuel their reputation as stadium rock gods.

No matter how many YouTube clips or photos you have seen of this massive contraption which anchors the myriad video screens, lights and speakers to broadcast the action, you will be in awe of The Claw once inside ANZ Stadium.

All that colour and movement is happening above your head but at ground level, moving bridges and catwalks on what Bono calls a “space station” stage, allows Bono, The Edge, Adam Clayton and Larry Mullen Jr to get closer to fans who have remained steadfastly loyal for 30 years.

Describing the production as intimate - as everyone seems determined to do - is a stretch. There is nothing intimate about a concert in a stadium with 60,000 people.

What makes the U2 360 experience communal, is the music itself.

For all the bells and whistles they employ to thrill you, in the end it is all about the songs.

When you go to a U2 concert, you want to sing and Bono knows that, constructing a set with plenty of crowd karaoke moments and the ubiquitous “wave your mobile phones in the air like you really do care” trick.

“Beautiful Day” is always a triumph, “I Still Haven’t Found What I’m Looking” pushes the crowd volume to 11, “Sunday Bloody Sunday” received a Jay Z-assisted twist and the lost single “Magnificent” finally gets its due in the live arena.

Adam Clayton sues band's accountant

Adam Clayton is suing the band’s accountant Gaby Smyth for alleged negligence. 

Smyth controls all of U2 group companies and is thought to have been behind the decision to move U2’s publishing operation to Holland in order to avoid Irish taxes. Given the band’s anti-poverty stance, this decision was highly controversial.

Clayton is bringing the negligence claim against Smyth and two accountants in Gaby Smyth & Co., Jill Percival and Pat Cleary. The Bank of Ireland Private Finance is a fourth defendant in the case.

The claim concerns investments made on Clayton’s behalf and professional advice offered by Smyth’s company. The details of the claim are not yet known. Clayton has until July 4 to issue formal summons.

This is the second High Court action from Clayton in the past six months. In January, the court froze the assets of Carol Hawkins, Clayton’s former housekeeper, after claims that she defrauded him of up to $2.18 million.
 
Clayton had two accountants review his financial arrangement and personal accounts in preparation for the case against his housekeeper, but it is not clear if his claim against Smyth stems from this review.

Clayton’s move adds to the band’s already mounting troubles as Bono suffered a back injury that brought thier 360 tour to a halt.

You say its your birthday !

Adam Cayton Adam Charles Clayton (born 13 March 1960)

Clayton has resided in County Dublin since the time his family moved to Malahide when he was five years old in 1965. Clayton is well-known for his bass playing on songs such as “New Year’s Day”, “With or Without You”, “Get on Your Boots”, and “Magnificent”.

His work on No Line on the Horizon has been cited as his best bass playing. He has worked on several solo projects throughout his career, such as his work with fellow band member Larry Mullen Jr. on the theme of 1996’s Mission: Impossible. Clayton, as a part of U2, has won 22 Grammy

Clayton is the elder child of Brian and Jo Clayton, born on 13 March 1960 in Chinnor, Oxfordshire, England, when Clayton was five years old, his family moved from Oxfordshire to Malahide, County Dublin, where Clayton’s brother Sebastian was born. The Clayton family became friends with the Evans family, with their sons Dik and Dave (more commonly known as The Edge), who were both in the original group, Feedback, that spawned U2.

Clayton attended boarding school first at Castle Park School in Dalkey, then at St. Columba’s in Rathfarnham. He later changed school to Mount Temple Comprehensive School in Dublin, where he met fellow band mates Paul “Bono” Hewson and Larry Mullen Jr., and was reunited with his boyhood friend Dave “The Edge” Evans. Mullen had posted an advertisement on the school bulletin board for musicians to form a band with him; Clayton showed up at the first practice, which also included Dik Evans, Dave Evans’s older brother, Ivan McCormick, and Peter Martin, who were two of Mullen’s friends.

McCormick and Martin left the band soon after its conception. While the band was a five-piece (consisting of Bono, The Edge, Mullen, Evans, and Clayton), it was known as Feedback. The name was subsequently changed to The Hype, but changed to “U2” soon after Evans left the band. Clayton also served as the band’s first manager before Paul McGuiness, a more experienced manager, was hired, because Clayton had left school earlier.

Adam Clayton In 1981, around the time of U2’s second, spiritually charged album, October, a rift was created in the band between Clayton and McGuiness, and the three other band members. Bono, The Edge, and Mullen had joined a Christian group, and were questioning the compatibility of rock music with their spirituality. However, Clayton, with his more ambiguous religious views, was less concerned, and so was more of an outsider, until Bono’s wedding to Alison Hewson (Neé Stewart), in which Clayton was the best man.

In August 1989, Clayton made newspapers around the world when he was arrested in Dublin carrying a small amount of marijuana. However, he avoided conviction by making a large donation to charity, and has later been regretful, saying “It was my own fault. And I’m sure I was out of my head – emotionally apart from anything else. But it is serious because it is illegal.” Clayton has also had alcohol problems, which came to a head on 26 November 1993 when he was so hung over that he was unable to play that night’s show in Sydney. After that incident, however, he gave up alcohol.

In 1995, after the Zoo TV Tour and Zooropa album, Clayton headed to New York with bandmate Mullen to receive formal training in the bass; until then Clayton had been entirely self-taught. During that period, he worked on U2’s experimental album, released under the pseudonym “Passengers”, entitled Original Soundtracks . That album features one of the few instances where Clayton has appeared as a vocalist; he spoke the last verse of “Your Blue Room”, the album’s second single. Prior to this Clayton had only provided live backing vocals to tracks such as “Out of Control”, “I Will Follow”, “Twilight” and “Bullet the Blue Sky”. Since 1998’s Popmart tour Clayton has not sung live in any capacity for the band.

In 1996, while still in New York, Clayton collaborated with Mullen to re-record the Mission: Impossible theme.

Adam Clayton Clayton has remained a bachelor through his time with U2. During the early 1990s, he was involved with and briefly engaged to British supermodel Naomi Campbell.

He also had a long-standing relationship with Suzanne “Susie” Smith, a former assistant to Paul McGuiness; they were engaged in 2006, but the pair broke up in February 2007.

The High Court ordered the assets of Clayton’s former housekeeper and PA be frozen after it was reported that she misappropriated funds of €1.8 million.

As a bass player, Adam Clayton’s most recognizable basslines include “New Year’s Day”, which evolved out of an attempt to play Visage’s song “Fade to Grey”, and “With or Without You”.

His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.

When Clayton first joined the fledgling U2, he did not have formal training in the bass.In the band’s early years, he generally played simple parts in 4/4 time.

Bono said of Clayton’s early bass playing, “Adam used to pretend he could play bass. He came round and started using words like action and fret and he had us baffled. He had the only amplifier so we never argued with him.

We thought this guy must be a musician, he knows what he’s talking about and then one day we discovered he wasn’t playing the right notes, that are what wrong, y’know are?”

Clayton has sung on several occasions, including on the song “Endless Deep”, the B-side to the single “Two Hearts Beat As One” from 1983. He also spoke the last verse of “Your Blue Room”. Clayton can be heard speaking on “Tomorrow (‘96 Version)” (a rerecording of “Tomorrow” that he arranged) a song from U2’s 1981 album October. He plays the guitar on a few occasions, most notably the song “40”, where he and guitarist The Edge switch instruments. He also plays the keyboard introduction to “City of Blinding Lights”.

 

Clayton’s basses include:

Fender Precision Bass

Fender Jazz Bass

  • Gibson Thunderbird Bass
  • Gibson Les Paul Triumph Bass
  • Gibson Les Paul 70’s Recording Bass, unknown model
  • Lakland Joe Osborn Signature Bass
  • Lakland Darryl Jones Signature Bass (with Chi-Sonic pickups)
  • Auerswald Custom Bass
  • Epiphone Rivoli bass (seen in the get on your boots’ music video)
  • Status John Entwistle Buzzard Bass

Throughout his career, Clayton has used both Precision and Jazz basses. His first bass, however, was a dark brown Ibanez copy. He uses Ashdown amplifiers and blue Herdim picks, as does bandmate The Edge. Clayton’s Precision basses are modified with a Fender Jazz neck; in an interview with Bass Player magazine, he said that he prefers the Jazz bass neck because it is more “lady-like” and is a better fit in his left hand.



U2 News Coverage of Haiti,Nascar,Oscar,Freeze,AH

Bono, Sting, Timberlake To Perform On Haiti Telethon

George Clooney says the “Hope for Haiti” benefit for victims of the earthquake in Haiti will include performances from Bono, Sting, Justin Timberlake, Christina Aguilera and Alicia Keys.

The Edge, whose “Brothers” song was nominated for a Globe,(Did not win) said that he will be helping George Clooney’s Friday telethon. “This  is one of  the most serious disasters that has happened in 10 years and we have to do everything that we can. There’s no question about it.” 
Of attending the Globes, he explained, “This is the perfect opportunity for people to say, ‘We’re there and we are going to do whatever we can,’” adding that the awards are a great platform to get the word out.


Speaking to The Associated Press at the Golden Globes ceremony at the Beverly Hilton Hotel, Clooney said that more than 40 celebrities are expected to attend the Jan. 22 event. The actor said the aim of the benefit is “to show the people of Haiti that the whole world is paying attention.”

The benefit, which Clooney and Haitian-born singer Wyclef Jean will host, will be broadcast on more than a dozen broadcast and cable networks. It will be held in New York, with CNN’s Anderson Cooper chiming in from Haiti.

The show will benefit the Red Cross, UNICEF, Oxfam America, Partners in Health and Jean’s Yele Haiti Foundation.

Clooney said that songs from participating artists will also be available on iTunes, with proceeds going to the relief effort.

You can support Hait too by visiting our Haiti link.

U2’s ‘Bad’ gets a NASCAR makeover

U2 3-D Car Promotion #19Heroin and NASCAR, who knew? U2 fans watching the NFL playoffs on Fox this weekend surely heard what would seem to be an oddly placed song scoring the network’s preview of the upcoming Daytona 500: U2’s mid-’80s hit “Bad.”

The commercial features little more than a snippet of one of the Edge’s most recognizable guitar riffs — the few slow, glistening notes that set the table for the song’s explosive rock ‘n’ roll release. 

U2 hasn’t exactly shied away from commercial endorsements of late, or massive sporting events.

Also, anyone who has attended any NFL, NBA or MLB game in recent years has likely heard “Beautiful Day” piped throughout the arena or stadium, further linking U2 with the sporting world.

Yet judging by some previous NASCAR-branded music releases, U2 seems to be a bit out of place with the barroom hits and country rock more closely tied to the sport.

Granted, it’s more a story these days when rock ‘n’ roll doesn’t appear in a commercial, but are U2 fans ready to have one of the band’s most iconic songs forever associated with auto racing? If the quick responses on Twitter are any gauge, then no.

Though Bono’s lyrics in “Bad” are vague and open to interpretation, it’s a song long believed to be about heroin addiction, making it feel a bit out of place in hyping the Feb. 14 race. It should be noted, of course, that it’s not the first time a rock ‘n’ roll tune about drug use has appeared in a commercial, as Iggy Pop’s “Lust for Life” more famously promoted a cruise line.

Sheridan:’U2 sure bet for an Oscar’

OscarDIRECTOR Jim Sheridan last night tipped U2 to walk off with an Oscar after the group failed to win a Golden Globe for the soundtrack to his new film ‘Brothers’.

The band’s song ‘Winter’ was beaten in the Best Song category by singer Ryan Bingham with the theme from film ‘Crazy Heart’ at a star-studded ceremony in Hollywood on Sunday night.

“I’m sorry the lads didn’t win a Golden Globe but I think there’s a good chance they could get an Oscar instead for Best Song,” Sheridan told the Irish Independent.

The collaboration between Jim Sheridan and U2 came about after Sheridan showed U2 a rough cut of the movie.

‘Brothers’, a remake of the Danish film ‘Brodre’, tells the story of a decorated marine who goes missing overseas while his younger brother cares for his wife.

Another Irish nominee who failed to pick up a gong was Dublin actor Brendan Gleeson, in the running for best actor in a TV movie for his portrayal of British prime minister Winston Churchill. But Kevin Bacon won that award for his role in ‘Taking Chance’.

Ex-U2 worker has her assets frozen

A former personal assistant of U2 guitarist Adam Clayton has had her assets frozen indefinitely over allegations she defrauded 1.8 million euro from him.

Clayton sacked Carol Hawkins late last year after she allegedly used his debit and credit cards to buy cars, a house and jewellery.

Dublin’s High Court was told lawyers for the former PA are examining an employment contract which they said contains a mediation clause.

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‘Artificial Horizon’: U2’s Limited Edition Remix CD

ARTIFICIAL HORIZON, a U2 remix album produced only for subscribers to U2.com. If you thought the U2360° remix of I’ll Go Crazy If I Don’t Go Crazy Tonight was going to bring the house down, wait till you hear the Grand Jury Mix of If God Will Send his Angels, Trent Reznor’s version of Vertigo, Jacknife Lee’s remake of Fast Cars or David Holmes’s remix of Beautiful Day. This is one special collection - check the full tracklisting below.

ARTIFICIAL HORIZON comes off the presses in late January and will be mailed to subscribers within a few weeks

We love Clouds !

Can’t tell you why yet but soon you will love them too.

Remember Paris ?

Driving home last night I was listening to the Paris concert again. It’s cold all over the east coast of North America is under a deep freeze yet I had the windows open and I was just enjoying the concert all over again. Have you ever had a chance to re-listen to the concert or watch the video over again it’s as if you are attending the show for the first time?  So I thought I would dig up the review, some selected photos and of course our favorite videos from the show.  Paris had two shows, we have videos from both shows and the setlist as well as photos. We have a large selection of Paris videos and on our facebook fan page we will be posting a specail link for something very cool for our U2 fans. So if you have not joined our FB page now is your chance.

Paris Review July 11, 2009

That theme was further augmented during the band’s latest stop at Paris’s enormous, 90,000- capacity Stade de France, returning almost four years to the day of their last visits here – on July 9th and 10th, 2005 – for the Vertigo tour.

‘Thank you for coming out and thank you for giving us a great life,’ Bono crowed to the packed audience. ‘Thank you for giving us the chance to build this madness, this space station.’

That theme was further augmented during the band’s latest stop at Paris’s enormous, 90,000- capacity Stade de France, returning almost four years to the day of their last visits here – on July 9th and 10th, 2005 – for the Vertigo tour.

On Saturday night, the inhabitants of the International Space Station made a repeat appearance on The Claw’s circular screens, engaging in prerecorded banter with the band.  Guy Laliberte – billionaire founder of Cirque de Soleil, and soon-to-be resident of the Station – also received a shout-out during “In A Little While”.

“We have somebody with us tonight who is about to be the first clown in space,” Bono joked, referring to former stilt-walker and fire-eater Laliberte.

While the much-maligned “masks” made an appearance once again, those looking for a bit of levity from Bono’s politics received it during the Sunday night encore, when the singer engaged in a brief E.T. impersonation before show finale “Moment of Surrender”.

He was also in a joking mood during a brief interview for French television the day before; after Larry Mullen, Jr. cordially complimented the Stade de France as “an incredible place,” Bono quickly added, “Of all stadiums to get to trash, this is the most beautiful.”

The direction of the Paris gigs indicated that the nightly setlist is solidifying into something fairly consistent, at least for this leg of the tour; the opening four songs of new material have not changed, and neither has the three-song encore, expanded only once so far to include “I’ll Go Crazy If I Don’t Go Crazy Tonight” during the second night in Barcelona.  “In A Little While” and “Stuck in a Moment” – from All That You Can’t Leave Behind – continue to be interchanged, with the former being performed Saturday, and the latter making an appearance on Sunday.

Sunday night’s show also featured some surprises, with the tour debut of a solo-free “Mysterious Ways”, and an electric version of “Angel of Harlem”.  The ever-expanding “I’ll Go Crazy If I Don’t Go Crazy Tonight” was preceded by brief renditions of David Bowie’s “Let’s Dance” – the first time the band has performed it in any form – and K.C. and the Sunshine Band’s “That’s the Way (I Like It), making its first appearance since 1997’s Popmart Tour.

Crowds were energetic and enthusiastic both nights, the floor a rolling wave of activity during songs both new (”Get On Your Boots”) and old (”I Still Haven’t Found What I’m Looking For”).  The crowd briefly took over singing duties on the latter from Bono during Sunday night’s show, with both band and singer dropping out during the first verse to let the audience build the song’s momentum

We will always have Paris on that summer night in July 2009. If you think of another show that was better let us know. For now kick back and enjoy. Sign up on Youtube to be a part of 2010 Subscriber list. Don’t miss a minute of the show.

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