A good idea can be invisible to logic - Bono

“A good idea can be invisible to logic” - Bono

If you can’t feel the music, what is the point? The U2 360 Tour started to be an adventure in light, sound, and intimacy with the audience and now, years later, it is the foundation to which bands will stand on.

The most expensive date with the audience that created memories for a lifetime without any thought of what the future of U2 holds.

It’s July in New York and, while enjoying the summer off from anything major, I begin to think of

yesterday and imagine that we are about to start this adventure all over again and yet it’s not the same.

Everything U2 was doing was about finding new ways to connect with the audience to share an experience that was not to be forgotten as well as to present the music for which fans come to shows to be a part of without limits.

As Willie Williams, show director said, “Video is always the loudest voice in the room, think about it. If you are in a bar, chatting up a conversation, and the TV is blasting in the background, you cannot help but look up. The band was ready to take the next “quantum shift” or leap from The Joshua Tree and Zoo TV.”

The birth of the 360 tour comes from visionary ideas that push the envelope of possibility and create space to which you can grow that seed of an idea into that which is the 360 Tour.

An experience I am sure you will not soon forget. We here at U2TOURFANS.com have been working on the next phase of our future connection with you the audience. The bridge of videos, music, set lists, and of course thousands of hours of photos, is all possible because of you. We have taken some time off this summer to create some new ideas.

Dream some new possibilities. It’s clear to me that we will see U2 again out on tour, but not likely as massive as 360. However, it will be a chance for us to connect again.

In the meantime, we continue to work on our new site development, applications for your mobile device, and shopping opportunities for thousands of U2 merchandise. We look to you for suggestions and ideas. Be active in U2TOURFANS. Your stories, photos, and videos can only make our free community stronger.

revised by Holly C

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“A good idea can be invisible to logic” - Bono

Bono / U2 360 Tour / U2TOURFANS

If you can’t feel the music, what is the point? The U2 360 Tour started to be an adventure in light, sound, and intimacy with the audience and now, years later, it is the foundation to which bands will stand on.

The most expensive date with the audience that created memories for a lifetime without any thought of what the future of U2 holds.

It’s July in New York and, while enjoying the summer off from anything major, I begin to think of

yesterday and imagine that we are about to start this adventure all over again and yet it’s not the same.

Everything U2 was doing was about finding new ways to connect with the audience to share an experience that was not to be forgotten as well as to present the music for which fans come to shows to be a part of without limits.

As Willie Williams, show director said, “Video is always the loudest voice in the room, think about it. If you are in a bar, chatting up a conversation, and the TV is blasting in the background, you cannot help but look up. The band was ready to take the next “quantum shift” or leap from The Joshua Tree and Zoo TV.”

The birth of the 360 tour comes from visionary ideas that push the envelope of possibility and create space to which you can grow that seed of an idea into that which is the 360 Tour.

An experience I am sure you will not soon forget. We here at U2TOURFANS.com have been working on the next phase of our future connection with you the audience. The bridge of videos, music, set lists, and of course thousands of hours of photos, is all possible because of you. We have taken some time off this summer to create some new ideas.

Dream some new possibilities. It’s clear to me that we will see U2 again out on tour, but not likely as massive as 360. However, it will be a chance for us to connect again.

In the meantime, we continue to work on our new site development, applications for your mobile device, and shopping opportunities for thousands of U2 merchandise. We look to you for suggestions and ideas. Be active in U2TOURFANS. Your stories, photos, and videos can only make our free community stronger.

revised by Holly C

U2 Bloggers Wanted

Do you consider yourself a U2 fan or U2 expert ?

Either way we are looking for a few good bloggers to team up with us on our newest community. U2TOURFANS Forums designed to provide you the fan a place to share and exchange everyhing U2.

We are building out our site to include a forum section and U2 Fan blogger section. Which will allow you the fan to share your passion.

You can write once a week, month or quarter for us. We also will allow budding U2 authors to write and promote their books with our community.

This is a brand new section for us. We welcome your ideas and feedback.  So far we have been asked to inlcude the following areas.

  • Concert Videos
  • Concert Audio
  • Concert Photos

All of these areas can be viewed right now. We have also welcomed you to upload any concert audio or video that you would like to share.

October

 

 

October

And the trees are stripped bare

Of all they wear

What do I care

October

And kingdoms rise

And kingdoms fall

But you go on…

 

At the beginning of every October, I play this track. I don’t know why, but I just do. The song is a haunting song, consisting of 26 words and two themes. 

The first theme has to do with death. Obviously, it’s Bono’s reflection of a tree losing its leaves, which I think is a metaphor about losing his mother. The mother I feel he is speaking of is Mother Nature, stripping us bear of our emotional being as we take on winter. As I listen to the track, I envision a heavy, grey sky above me, almost suffocating. A lone tree, away from the forest on the horizon, stands naked before me.

The image is not in color but in high contrast black and white. The starkness reminds me of those days trekking across the University of Iowa campus as fall slipped into winter. Harsh wind, howling through the through the streets flanked by buildings made of brick and limestone, wisps dry leaves from unsecured spot to another.  

The second theme spoken here is one of kingdoms and very little has been said about this other that it may be a reference to the Russian revolution. It’s interesting how these two themes meet in this song, especially when the band was still in their religious phase as the album October was being worked on. Kingdoms could also loosely refer to the Kingdom of God or Jerusalem or Babylon or Rome for that matter. Yet, it is has been said that Bono was reflecting on the Bolshevik October uprising and how that intertwines with the emotions of losing a mother is the biggest mystery here.

I will say this, October, for this U2 fan, has been the biggest month of my life. I saw th Irish quartet in concert for the first time on October 20th, 1987. I was just a sophomore in college at the University of Iowa when Bono et al came to Iowa City to play on the Joshua Tree tour. Our campus wasn’t on the initial tour schedule. We got the show by default thanks to the University of Northern Iowa not allowing the band to set-up their outdoor stage.

It was a stroke of luck that they came and played Carver Hawkeye Arena on that foggy night where trees were stripped bare of all they wore much like in the song. A year later, I relived my Joshua Tree tour experience when the band released Rattle & Hum on compact disc.  It would be another three Octobers before their next release, Achtung Baby, and I waited them out – patiently and impatiently.

Eric Shivvers is the author of I’m a Fan: How I married U2 into my life without going to the altar. You may find him on Facebook: I’m a U2 fan or on Twitter: @iamau2fan. His book is available at Amazon.com.

Bring on U2! Moncton Is Ready !

Bono / U2 360 Tour / Dave Long / 2011 Like the very first song on U2’s very first 1,000-copies-in-Ireland-only EP - the song Bono wrote on his 18th birthday - tonight’s performance by the biggest band of our times is bound to be Out of Control.

But in the best possible way.

If it’s possible for the music legends’ storied 32-year career to come a full 360 degrees to a place where those humble beginnings meet unimaginable worldwide success and a long-awaited conclusion that might be a conclusion - or then again might be the beginning of a whole new, even greater orbit - if it’s possible, that circle might just close tonight on a tour called 360 in a place called Moncton.

Yes, Moncton is the place where mere concerts have a way of becoming events. But no event has the potential to go down in music history like this one, the wrapup of the most successful concert tour ever held.

The Rolling Stones’ 2005 Moncton show was huge and AC/DC’s 2009 show was huge, both the biggest shows of their respective North American tours when they hit a farmer’s field turned fan-freaking-tastic festival ground.

But tonight we break whole new ground on our whole new grounds, looking like they never have before as a result of the combined efforts of 2,400 people, a place where today stands a giant spaceship taller than almost every other building in our city, and where a population greater than the city itself will soon be pulled into the orbit of its perfect circle stage, the saturnalian ring wrapped ‘round its heady atmosphere.

All of that sounds hopelessly over-the-top, of course, unless you’ve been to one of the 109 other shows on U2’s 360 Tour.

If you haven’t, you’ll soon understand. It’s over the top and halfway to space. There are no superlatives to describe it. It is the superlative.

And if you don’t go see and hear it for yourself tonight, you’ll just have to find something else to talk about at pubs and parties and water coolers around here for the next 32 years or so.

If you hate U2, you’ll still end up hating yourself for missing this one. If you love U2, it looks like you’re about to be in really good and growing company around here.

Less than 24 hours ago, a crowd of print and television and radio and online journalists, bloggers and even a couple of pseudo-freelance BSers who talked their way through the gates just to get an up-close look at the concert site got that up-close look and knew all their previous descriptions of this thing coming had somehow been inadequate.

It’s rock ‘n’ roll, baby, like it’s never rocked and rolled before.

Donald Tarlton, the real man behind what millions of Canadians over two or three generations know as Donald K. Donald, picks up the story from there.

“It all started about three years ago,” Tarlton said yesterday, the giant claws rising 15 storeys above him. “I had a dream. My partner André Hudon had a dream - wouldn’t it be great to get U2 to come to Atlantic Canada?”

He admitted it seemed like an impossible task when they first investigated it because the show was built to play in stadiums.

But then, “an unfortunate incident involving Bono’s back forced a reschedule and André and I spotted a window of opportunity,” he said.

“It’s a great coup for Atlantic Canada and a great thrill for us to be involved.”

Tarlton said when he heard it would indeed be the tour’s finale, he said, “if it turns out to be the last show of the tour, I’m telling you there’s no greater place for a party than Atlantic Canada. The fans of Atlantic Canada will give this band the greatest send-off for a tour they could possibly have. We know we’ve got the fans coming tomorrow and we know we’ve got the band coming tomorrow, and it’s going to be great.”

U2 production director Jake Berry takes over from Tarlton.

“As everybody knows, this is a very special show for everyone on the tour because this is the last one.” Follow tonights show via twitter or facebook streams. 

On Monday, the three spaceship/claw stages go up for sale, their work complete after helping the band entertain more than seven million people around the world.

“It’s not very special for us crew people because we’ve got to look for jobs on Monday,” Berry said, but, “we chose to finish off in this beautiful site, and we’re ready.”

The show is special enough for U2 fans that they’ve literally been coming to Moncton from all over the world the past few days, whether they have to save money by staying in tents or they can afford their own private jets.

Look around and you may see that one of U2’s fans who is saying farewell to the 360 Tour is actor - fellow social activist and fellow Irishman Pierce Brosnan. If you do spot him, remember you heard it here first, folks.

While the Brad and Angelina and Oprah story particle colliding in an uncontrolled chain reaction yesterday seemed too far fetched to believe - Oprah doesn’t go to concerts; they come to her - the chance of seeing Eric Clapton might be better, though far from confirmed.

And the speculation about Neil Young having breakfast at Cora’s yesterday seems to actually be true, with several reported sightings. Moncton’s Tracey Suley was among them. She didn’t see the Canadian music icon at Cora’s, but did cross paths with a man who was either Young or the identical twin brother he didn’t know he had in behind the restaurant near the Delta Beauséjour Hotel.

And speaking of special visitors, don’t be surprised if for a spilt second or so tonight there is in fact someone at the site louder than the show itself. At the site, or maybe over it.

Craig Evans, U2’s 360 Tour manager, picks up the story.

Asked about all the swirling talk of other celebrities coming to Moncton because it’s the 360 Tour’s final date, he said yesterday, “there are certainly other people who we are expecting here tonight. This band has a lot of fans who are both celebrities and common people. There will be a bunch of familiar faces. It happens at most shows.”

There’s a huge amount of loyalty among those fans, he said.

“You get to understand the passion that they feel. That passion is when every show happens, the first time when the lights go down and the audience stands up and starts roaring and the band comes on the stage, everybody has an arm with hair standing up on end, feeling that moment. In a U2 show, what’s kind of unique is that happens several times during the evening.”

He couldn’t speak of what surprises the band might have in store, but “without a doubt, the crew has a few things in mind that we can’t speak about yet because it’s going to be a surprise to the band.”

And by the way, Evans said U2 is well aware the Town of Springhill, N.S., has made them honourary citizens for their keeping the memory of the town’s mining history alive through their singing of the classic Springhill Mining Disaster.

He said, however, travel timing would prevent the band from visiting the town in response to an invitation from the mayor, but he did hint the kindness might be acknowledged somehow at the show.

Evans predicted people will be really taken by the whole spectacle that is U2, especially on this mother of all tours. Beyond the show itself, he spoke of the view of the city and the acres of forest in their full summer greenery just behind the venue will make the final night special.

“That’s an amazing thing,” he said. “It’s one thing playing in a well-designed cement stadium. It’s another thing entirely to play in nature and grass and people. This is real. It’s more of an event than a concert. I think we have a very special opportunity to end this tour in a very unique and special place.

“This was a big decision to end the tour here, but it was very much a part of the band’s decision and wish.

“The band’s going to be emotional. They have had a huge journey. I think you’re going to see that.”