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Entries in larry (4)

Wednesday
10Mar2010

Hola Mexico ! 

Jerry MeleDecember 1997 gig in Mexico City. The melee exposed the disgusting sense of impunity running rampant among Mexico’s privileged elite—even during a period of immense social and political change—and the enormous influence of U2, which shamed the country’s top figure through its firm, but dignified response.

As the Mexican magazine La Revista tells the story, the Zedillo boys attended the 1997 concert—part of the PopMart tour  as VIPs, entering with complimentary tickets. Afterwards, they attempted to leave through a restricted area full of expensive equipment. Camera crews confronted the entourage, leading to a dustup. U2 security director Jerry Mele, a Vietnam veteran who was considered one of the best in the business and gained his reputation by maintaining order at death-metal concerts, was then run down by a vehicle carrying the Zedillo crew as they left the Foro Sol. Mele nearly died of his injuries.

The band immediately demanded an apology, threatening to expose the president’s children’s egregious impunity. Zedillo refused. At a concert the following evening, U2 front man Bono told the sellout crowd: “We nearly lost a brother last night.”

Embarrassed publicly and perhaps fearing a public-relations disaster, Zedillo relented, inviting U2 for a meeting at Los Pinos (the president’s residence) the following day.

During the tense affair, Zedillo reportedly told Bono: “(U2 security) put my sons’ lives in danger.” Earlier, the chief of presidential security refused to divulge the names of the officers involved in the scuffle to U2. The president, defending his guards, blamed the promoter.

Bono reportedly pointed out how President Bill Clinton’s daughter attended U2 shows without incident and that the Secret Service knew how to behave itself when accompanying her. He also repeated his demand for an apology in front of the entire country. The meeting ended without satisfaction for U2. President Zedillo would learn shortly thereafter that his boys had lied.

Jerry Mele and Bono Jerry Mele never worked again. He won a lawsuit against the show’s promoter and the Mexican government two years later.

Ernesto Zedillo Jr., long the object of U2 fans’ scorn, angrily rejected culpability. The young man, described by La Revista as “a businessman” and “jet-set figure” (read: a playboy living large with his father’s money), told Milenio, a Mexico City newspaper, that if U2 didn’t come to Mexico, it wasn’t his fault.

Perhaps not entirely. During the U2 hiatus, Kristy MacColl, a British singer, who previously performed a duet with Bono, died after being struck by a powerboat while diving near Cozumel. The boat owner has never faced justice. Bono dedicated a song to his late friend during one of last week’s concerts - and also made a call for action. The following day, the president’s office promised to reopen MacColl’s case. Fans suspected MacColl’s death had further soured U2 on performing in Mexico.

U2 has been back to Mexico, Jerry remains retired and has written a book. Life moves on.

Wednesday
10Feb2010

Larry, Bono, Grainge and Standup all in the news 

Kanye West, Black Eyed Peas’s will.i.am and U2’s Larry Mullen Jr are just some of the stars lending their voices to new Family Guy cartoon spin-off The Cleveland Show.

The series, showing on E4 in the UK, and created by Family Guy boss Seth MacFarlane follows the adventures of Cleveland Brown and his family.

Mike Henry, who voices the main character said: “Kanye could not be a cooler guy at our show - we do definitely have some jokes where he makes light of himself.”

“He does some things out in public that stir up controversy and opinions. He knew that and we contacted him and he was totally up for doing the part.”

U2’s drummer Larry Mullen Jr also got in touch with the programme’s creators through a mutual friend and asked to be involved.

 Black Eyed Pea’s will.i.am voices a character in season two

“He came in and we hung out for a couple of hours. We just recorded him doing a couple of different parts and he was very funny.

“It’s a thrill for me to do all this. U2 is my favourite band of all time and David Lynch the film director plays a part on our show.

“He [Mullen Jnr] plays a mobster in one episode; he plays a bad Elvis impersonator by design in another episode.

“He’s got his own studio so we just record it from Dublin. You don’t have to record at a certain time. It’s an easy gig and one that people like to do.

“It’s very cool to have all these people from different walks of entertainment participating in what we’re doing.”

Bono slammed for U2’s decision to play in Israel

Rock star and activist Bono and his band U2 face a boycott and action from pro-Palestinian groups after agreeing to play in Israel this summer.

The influential Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) has urged Bono to ‘say no to Israel,’ pointing out he has turned down a similar invitation two years ago.

“Performing in Israel would violate the almost unanimously endorsed Palestinian civil society Call for Boycotts, Divestments, and Sanctions (BDS) against Israel. This Call is directed particularly towards international activists, artists, and academics of conscience, such as yourself. Moreover, it would come a year and a half after Israel’s bloody military assault against the occupied Gaza Strip which left over 1,440 Palestinians dead, of whom 431 were children, and 5380 injured, ” the letter stated.
 
The letter also called on Bono to live by what he recently wrote in The New York Times. “In a recent New York Times op-ed, you wrote of your hope ‘that the regimes in North Korea, Myanmar and elsewhere are taking note of the trouble an aroused citizenry can give to tyrants.’

“You went on to further elaborate on the hope that “people in places filled with rage and despair, places like the Palestinian territories, will in the days ahead find among them their Gandhi, their King, their Aung San Suu Kyi.” Rather than shifting the blame from the violence of the colonial oppressor to the resistance of the indigenous oppressed and characterizing the Palestinians as a population filled with “rage and despair,” it is more apt to consider them among the “aroused citizenry” responding to tyranny – Israel‘s regime of occupation and apartheid.”

The letter goes on to praise Bono’s activism in other conflict resolution areas: “A whole generation was affected by your musical activism, when you sang of the civil rights movement in America, the everyday human heroes in El Salvador and the brave struggles in Ireland – you filled a space that forced political morality into pop culture. Entertaining apartheid Israel despite all the injustice it is committing against the Palestinians would significantly smear this great legacy of yours.

Universal Music, Label for U2, Names Grainge

Universal Music Group said Lucian Grainge will take over as its new chief executive officer from Jan. 1, replacing Doug Morris, who’s led the world’s largest music company since 1995.

Grainge, the 49-year-old head of its international music operations, will become co-CEO with Morris as of July 1, and the sole chief from Jan. 1, Universal’s owner, Paris-based Vivendi SA, said in a statement today.

Universal Music, whose artists include U2, Lady Gaga and Eminem, saw revenue decline 5.2 percent in the nine months ended September amid music-industry piracy and a drop in the number of CDs sold. Morris said late last year he “mentored” Grainge for the role as CEO the past five years.

Stand Up To Cancer On Demand

Comcast Corporation and Stand Up To Cancer (SU2C) have launched the second installment of musical assets for Stand Up 2 Cancer On Demand, the first-ever video-on-demand (VOD) initiative focused on broadening awareness and raising funds for innovative cancer research, which debuted on Comcast in December. Twenty-eight additional artists are providing content to On Demand, adding to the library of musical entertainment that already includes many of the world’s biggest stars. In addition, select content from Stand Up 2 Cancer On Demand is available on comcast.net.

Available for no additional cost to viewers in more than 18 million Comcast homes through March 14th, Stand Up 2 Cancer On Demand features more than 60 of viewers’ favorite artists including: Beastie Boys, Ben Harper, Celine Dion, Christina Aguilera, Common, The Dixie Chicks, Diana Krall, Duran Duran, John Legend, John Mayer, Joss Stone, Kanye West, Katy Perry, Kenny Chesney, Mary J. Blige, Melissa Etheridge, Ne-Yo, Sugarland, Tina Turner, U2 and more.

Sunday
07Feb2010

U2=BBC (Not So Much)

The BBC is to overhaul the regulations that dictate how much damage it can do to its commercial rivals after being criticised by its own fair trading committee.

The corporation, backed by the £3.6 billion licence fee, will use two separate reviews to consider everything from the activities of its commercial arm, BBC Worldwide, to the effect on its rivals when it signs exclusive coverage deals.

The BBC Trust, the corporation’s governing body, will carry out a full public consultation on the BBC’s fair trading policy, to begin in the summer,while BBC executives have also been ordered by an internal fair trading panel to revamp guidelines that govern the impact of editorial decisions on commercial rivals.

The reviews came to light in an internal report, leaked to The Times, that ruled that the BBC had unfairly damaged commercial channels through its tie-up with U2, the Irish band, for an album launch, which included altering the BBC logo to “U2=BBC”.

The corporation’s Executive Fair Trading Committee upheld a complaint from RadioCentre, which represents commercial radio groups, that the link-up between the BBC and U2, which included a BBC DJ claiming that it was “part of launching this new album” had “impacted negatively on commercial radio stations’ access to U2”.

The committee said: “Based on the independent economic advice received the panel concludes that the BBC’s activities in the case of the U2 coverage had the potential to cause a negative impact on the commercial radio sector.”

The BBC is bound by a “competitive impact principle” that decrees it should “endeavour to minimise its negative competitive impacts on the wider market”.

The BBC Trust review, which will be completed by the end of the year, will also consider the activities of Worldwide, which has a turnover of more than £1 billion and has frequently been criticised for using its links to the corporation to “bully” smaller players.

In November the BBC Trust ruled that Worldwide should not repeat deals such as its 2007 acquisition of Lonely Planet, the guidebook publisher, for £90 million. Rivals claim that the deal meant the BBC was entering a market that had little relation to the corporation’s core purposes.

Tony Elliott, chairman of Time Out, a competitor to Lonely Planet, said: “It is about time the BBC got to grips with the effect it has on the rest of the market. We will be making representations to this review that the BBC should be more mindful of the damage it can impose on its commercial competitors. Hopefully we will get some genuine action.”

The BBC Trust has ordered Worldwide to publish a business plan for its activities over the coming years, by the end of March. Insiders concede that the document could have to be rewritten if the Trust dramatically alters the rules governing the impact the commercial unit can have on the market.

RadioCentre will also make representations to the reviews. A spokesperson said: “The BBC’s almost effortless access to hugely popular bands and big name talent means that its on-air output can have a significant negative impact on competitors, as it secures a far greater share of the limited promotional time than its public service remit requires.

“All too often the BBC simply justifies its editorial decisions by saying that it is satisfying audience demand, forgetting that the primary purpose of the BBC is the promotion of its public purposes not simply the pursuit of popularity.”

A BBC spokesman said: “The BBC accepts the findings of the Executive Fair Trading Panel and will action the recommendations that have been made. These include a review of relevant sections of the Editorial and Fair Trading Guidelines to provide greater clarity in the future.”

U2 play surprise rooftop concert

(Remember this interview ?)

Rock band U2 have played a surprise gig on top of BBC Broadcasting House, in central London.

A crowd of around 5,000 watched the rooftop show, which capped off a day of promotion for the Irish band’s 12th studio album No Line On The Horizon.

U2 had been special guests on BBC Radio 1 and rumours of the gig appeared on internet message boards during the day.

The band performed four tracks during the 20-minute gig, including new songs Get On Your Boots and Magnificent.

They also performed Beautiful Day and Vertigo, as onlookers danced, clapped and sang along in the street below.

‘Great honour’

The BBC’s Darryl Chamberlain, who was at the scene, said: “Some people tried to crowd on to traffic islands to see them… the crowd was screaming and cheering.

“Others were spilling out of pubs and shops to see it, and looking out of windows. It was a good natured crowd and people really seemed to be enjoying it.”

Police closed Portland Place in Westminster to divert traffic away from the area.

U2 at the BBC
News of the unannounced gig spread on internet message boards

The band all wrapped up against the cold, except The Edge who wore a short-sleeved lumberjack shirt and hat.

The performance was also broadcast live on DJ Chris Evans’ BBC Radio 2 show.

U2’s impromptu gig echoed The Beatles’ 1969 rooftop performance at record label Apple’s London headquarters.

Earlier the band revealed they are preparing to tour later this year, and hope to offer tickets with cheaper, recession-busting prices.

Frontman Bono told BBC Radio 1’s Jo Whiley they had “something very special planned” for early summer.

He added that it was “a whole way of trying to do shows outdoors and make them very intimate”.

In an interview on Radio 5 Live with Simon Mayo, Bono said that he had “gone off” Get On Your Boots a few weeks ago, but was now “back on it”.

“It’s a small song, a tiny little song, a little shot of adrenalin,” he added.

Another song from the album, Breathe, had its live debut at an intimate Radio 1 concert on Friday morning.

Bono told the audience: “This is a great honour. This is the first time we’ve played these songs to people, so we hope we don’t screw it up.”

He said they were “trying” to work on some cheaper ticket prices, but added: “We’re also going to have some very expensive ticket prices because rich people have feelings too!”

Radio 1 also apologised on-air immediately after Bono used an expletive to describe Coldplay’s lead singer Chris Martin.

The BBC said it had received no complaints about it.

Sunday
22Nov2009

U2: The Journey Toward Ascension (Part IV)

Three Chords and the Truth (Part IV)

By  Nikki Vanasse

Blackstone, MA

 

In this final trilogy of records, we find our quartet stripping back down.  Imagine the excitement of the fans!  They’ve been waiting for this since Achtung Baby.  All the buzz words and phrases were making their appearances in publications everywhere:  “back to basics”, “strip it down”, “four guys just playing music”.  Essentially, to “dream it all up again”.

All That You Can’t Leave Behind - At home, there was much going on in Bono’s life.  That can only mean one thing:  it’s all here in the record.  You’ll remember that Bono’s dad took ill and passed during this time and again, if you’ve read the accounts, you know it was hard on Bono growing up in a house full of men, without his mother.  Things were particularly hard with his dad and Bono tirelessly sought his approval throughout both of their lives.  In the studio, Flood is out, Eno and Lanois are back in, Anton Corbijn is commissioned for photos…feels like The Joshua Tree all over again…only we’re all a bit older.

Ok, first things first.  Right off the bat, you don’t even have to open the package.  Some of the albums released had a special enhancement in which the original notation of flight and gate numbers on the upper left part of the cover were airbrushed to read:  Jeremiah 33.3 (which incidentally, comes back again in the latest album No Line on the Horizon, “It was 3:33 when the numbers fell off the clock face…” from “Unknown Caller”).  The biblical reference states, “Call to me and I will answer you and will tell you great and hidden things which you have not known.”  Bono calls this “God’s phone number” so it seems that the line is open again.

Bono“When I Look At the World” is the one I’d like to highlight only because it’s really speaking to me at the moment.  Without God…without God in you, you can’t see the world the way God sees the world, “I see an expression/So clear and so true/That changes the atmosphere/When you walk (in)to the room/So I try to be like you/Try to feel it like you do/But without you it’s no use/I can’t see what you see/When I look at the world”.  

The only way we can change the world and bring about peace is to truly be the peace you want to see in the world, as Mahatma Ghandi so famously stated.  Without God in your life, you can’t see what God sees, when you look at the world.  Change your thoughts, change your life.

How To Dismantle An Atomic Bomb - At last, we are allowed a taste of the punk revival scene that served as incubator for this band back in the 70’s.  And it hits you square in the nose in the opening track, “Vertigo”:  “You give me something I can feel.”

However, three years after Bob Hewson died, Bono was still feeling the effects of the event.  The rumor is that Bono and Noel Gallagher were having a conversation as Bono’s father’s illness progressed and Bono wondered aloud if his father ever did believe in God.  Gallagher remarked that he was one step closer to knowing.

The lyrics of this song seem to illustrate various crossroads in which we are on the brink of being “one step closer to knowing” about God.  “I’m ‘round the corner from anything that’s real/I’m across the road from hope/I’m under a bridge in a rip tide/That’s taken everything I call my own”.  

LarryWhile the song echos Bono’s contemplation of his statement to Gallagher, we are reminded that life is precious and we are all “one step closer to knowing.”

I’d like to also talk about “Yaweh”, since this is probably the most transparent of prayers on any of U2’s work.  In this song, Bono prays to Yaweh (i.e. God) to help us turn this worldly existence around.  “Take these hands/Teach them what to carry/Take these hands/Don’t make a fist no/Take this mouth/So quick to criticize/Take this mouth/Give it a kiss”.  

In other words, show me the way, teach me the ways of non-violence, and help me find other ways to communicate that come from the heart; from love.  Bono hints at the endless supply of love that God has and that it is found everywhere, “the sun is coming up/The sun is coming up on the ocean/His love is like a drop in the ocean”.

No Line on the Horizon - Ok think about this.  This band has survived three decades intact.  Same core of folks since the 70’s people.  Sure the organization has grown, but all the same people have been around.  How do you think they do that?  Do you think they don’t face problems?  You couldn’t be further from the truth.  Do you think there is a higher power at work here?  Does God have something to do with it?  

My answer is, “Ya’ think?”  Now don’t misunderstand me on this; I’m not saying other bands didn’t last because they didn’t have heart, didn’t love each other as mates.  Didn’t have God in their lives.  But you have to admit there is something missing.  U2 is more alchemy than chemistry.

I’m not setting them high on the pedestal here, but you can’t deny that this band has been through some very trying times and again, if you’ve read the books, you know the stories.  Just because any one individual or any band has more money or more notoriety, doesn’t mean they don’t feel pain, despair, fear.  The difference is how you deal with it.  U2 chose to meet that challenge head-on, each and every time.  They were committed to each other like bride and groom.

When you look at the U2 body of work, you can see a complete cycle of learning.  As boys, they begin as normal adolescents with the usual problems, their worlds get clouded by a veil of organized religion that is heavy enough to split the band for a time.  

The EdgeThey sort out their faith and continue on and experience life, all the way while keeping that faith.  Then you run into a time that I’m sure some of us can relate to, being angry at God, and then surrendering to God allowing life to happen.  Essentially, letting go and letting God.  So we’ve come full circle here and there is no better testament to that letting go in “Moment of Surrender”.  Let’s look at a verse:

“I’ve been in every black hole/At the alter of the Dark star/My body’s now a begging bowl/That’s begging to get back/Begging to get back /To my heart/To the rhythm of my soul/To the rhythm of my consciousness/To the rhythm that yearns/To be released from control”  Uh…WOW.  Coming back around to what really matters.  

Allow me to suggest a way of looking at that lyric.  Bono seems to be saying, “We’ve had some dark times when we didn’t get along and now I want to get back to my faith and in believing and feeling the energy of God flow to my soul, my consciousness…

I want to think like God, and I want to be released from the ties that keep me from doing that.”  

If I wasn’t sitting down when I first heard this song, I would’ve dropped to my knees.  It brought tears to my eyes as it closed the show.  I thought, “what a FANTASTIC message to leave with”.  I found that I was in the minority of that sentiment.  But I got it.  

AdamAnd that’s what U2 has done.  If you’ve been paying attention, you can hear the messages of being one with each other.  We all want the same things, happiness and prosperity, so let’s make that happen for each other.  Let’s help each other out.  

People balk at Bono’s “self-righteous, megalomanic” existence, but perhaps that’s because they know deep down that he’s got the right stuff and they recognize that they don’t, but would like to.  I’ve always said that the people who knock this band, just aren’t giving them a chance.  

They’re minds aren’t yet open enough; open to the possibilities of love, peace, charity, compassion.  U2 is on message and if they asked me what I thought, I’d tell them to do more!  Let your spirituality fly and do a record of hope for these times.  Inspire us.

You can read the whole series from start to finish here.

Editor Note:  We hope you enjoyed the 4 part story. As you begin to think about the story and have interests in learning more we invite you to our book store to check out some of the most interesting U2 books available today. All proceeds from any sales goes to supporting keeping the website up and our crew out during tour season So we thank you for the consideration.

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Next up: We have another guest writer that we think you will enjoy. Starting on Monday