The Joshua Tree is the band’s best-selling album, and with 25 million copies sold worldwide, it is among the best-selling albums worldwide. It ranks as one of the best-selling albums in the US. In 1995, the RIAA certified it 10× platinum for shipping 10 million units, and the album subsequently received the Diamond Award for reaching this level.Similarly, the Canadian Recording Industry Association certified the album diamond in Canada. In the UK, it is certified 6× platinum, with an additional silver certification for the 20th anniversary edition.In the Pacific, it is certified 5× platinum and 14× platinum in Australia and New Zealand, respectively.Writer Derek White conducted a mathematical study of The Edge’s rhythmic delay guitar effect in an attempt to explain why his playing style on the record sounded so appealing to him. For a given song, White found that by dividing the number of repeated delay notes per minute by the song’s tempo in beats per minute, he arrived at e, an important mathematical constant that is used to explain many natural phenomena.The Joshua Tree is acclaimed as one of the greatest albums in rock history, and many publications have placed it among their rankings of the best records, including Hot Press, Time, Q, and Entertainment Weekly. In 1997, The Guardian collated worldwide data in 1997 from a range of renowned critics, artists, and radio DJs, who placed the record at number 57 in the list of the “100 Best Albums Ever”.Rolling Stone magazine ranked the album at number 26 on their 2003 list of “The 500 Greatest Albums of All Time”, writing that U2 “immerse itself in the mythology of the United States” and that “while many of these songs are about spiritual quests… U2 fortify the solemnity with the outright joys of rock & roll”. It was U2’s best position on the list. In 2010, the album appeared at number 62 on Spin’s list of the 125 most influential albums in the 25 years since the magazine launched. The publication said, “The band’s fifth album spit out hits like crazy, and they were unusually searching hits, each with a pointed political edge.” The band’s penchant for addressing political and social issues, as well as their staid depiction in Corbijn’s black-and-white sleeve photographs, contributed to the group’s earnest and serious image as “stone-faced pilgrim[s]”. This image became a target for derision after the band’s critically maligned Rattle and Hum project in 1988. Various critics called them “po-faced”, “pompous bores”, and “humourless”. The group’s continued exploration of American music for the project was labelled “pretentious” and “misguided and bombastic”. After Bono told fans on the 1989 Lovetown Tour that U2 would “dream it all up again”, the band reinvented themselves in the 1990s. The group incorporated alternative rock, industrial, and electronic dance music into their sound, and adopted a more self-deprecating, flippant image by which they embraced the “rock star” identity they struggled with in the 1980s. The band referred to their 1991 album Achtung Baby as “chopping down the Joshua Tree”. Bill Flanagan summarised the impact of The Joshua Tree on the group’s career in his liner notes to the album’s 20th anniversary release: “The Joshua Tree made U2 into international rock stars and established both a standard they would always have to live up to and an image they would forever try to live down.
| No. | Title | Length | |||||||
|---|---|---|---|---|---|---|---|---|---|
| 1. | “Where the Streets Have No Name” |
5:38 | |||||||
| 2. | “I Still Haven’t Found What I’m Looking For” | 4:38 | |||||||
| 3. | “With or Without You” | 4:56 | |||||||
| 4. | “Bullet the Blue Sky” | 4:32 | |||||||
| 5. | “Running to Stand Still” | 4:18 | |||||||
| Side two | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Length | |||||||
| 6. | “Red Hill Mining Town” | 4:54 | |||||||
| 7. | “In God’s Country” | 2:57 | |||||||
| 8. | “Trip Through Your Wires” | 3:33 | |||||||
| 9. | “One Tree Hill” | 5:23 | |||||||
| 10. | “Exit” | 4:13 | |||||||
| 11. | “Mothers of the Disappeared” | 5:12 | |||||||
|
Total length:
|
50:11 | ||||||||
Review
The CD format features remastered audio, liner notes by Bill Flanagan (author of “U2 At The End Of The World”) and previously unseen Anton Corbijn photos.Having nearly exhausted their capacity for pop-song politics on War and The Unforgettable Fire, U2 turned toward themes of personal identity and complex relationships on The Joshua Tree. Not that the group was willing to come down off the barricades entirely: “Mothers of the Disappeared” and “Bullet the Blue Sky” turned a jaundiced eye toward Central America and the United States’ role there. But the predominant mood here is one of self-discovery and the hunger for something more on tracks like the pulsating “Where the Streets Have No Name” and the gospel-ish “I Still Haven’t Found What I’m Looking
For.” The album’s masterstroke, however, is “With or Without You,” a nasty love song dressed up as an ode of devotion and care. It ranks with the Police’s “Every Breath You Take” as the most misread smash hit of the ’80s. —Daniel DurchholzU2’s most successful album (their first No. 1 album and the 1987 Grammy award-winner for Album of the Year) is also their most dour. From the stark, black and white cover photography, with U2 looking like missionaries (or at least M*A*S*H extras), to the existential angst at the heart of each track, The Joshua Tree is one long, atmospheric wail at the abyss. Producers Brian Eno and Daniel Lanois turn in an austere production that heightens the drama substantially. —Rob O’Connor
On 20 November 2007, a 20th anniversary edition of The Joshua Tree was released. The album was remastered from the original analogue recordings under the direction of The Edge. The release was made available in four formats: a single CD; a two-disc deluxe edition with a bonus audio CD; a three-disc box set with bonus audio CD and DVD, photograph prints, and hardcover book; and a double vinyl edition. All editions included a booklet with liner notes by author Bill Flanagan and “previously unseen” photographs by Anton Corbijn.
Manager Paul McGuinness explained, “There has been continuous demand from U2 fans to have The Joshua Tree properly re-mastered. As always, the band had to make sure it was right, and now it is.”The bonus CD that was included with two of the remastered formats contains B-sides and rarities/demos from The Joshua Tree. Some formats include expanded liner notes from the band members, the production team, and Anton Corbijn. In an otherwise favourable review of the remastered album, Andrew Mueller of Uncut said that “any casual listener who can perceive a meaningful difference between this and the original has i) ears like a bat and/or ii) needs to get out more”.
Bonus audio CD
The bonus audio CD features 14 additional tracks, including the B-sides “Luminous Times (Hold on to Love)”, “Walk to the Water”, “Spanish Eyes”, “Deep in the Heart”, “Silver and Gold”, “Sweetest Thing”, and “Race Against Time”. Two versions of “Silver and Gold” are included—the B-side version, and the original recording from the Sun City album, with Keith Richards and Ron Wood. The edited single version of “Where the Streets Have No Name” appears on the bonus CD. “Beautiful Ghost/Introduction to Songs of Experience” features lyrics from the introduction of William Blake’s Songs of Experience, and was previously released in The Complete U2 digital box set in 2004. “Wave of Sorrow (Birdland)”, “Desert of Our Love”, “Rise Up”, and “Drunk Chicken/America” are all previously unreleased recordings from The Joshua Tree sessions. “Wave of Sorrow (Birdland)” is a completed version of the demo “Birdland”, and “Drunk Chicken/America” features an excerpt of Allen Ginsberg’s recitation of his poem, “America”.







