Alkas and Bono

SCARBOROUGH restaurateur Alkas Ali talks about his life - his family, religion, work, sport and admiration for U2 frontman Bono. Reporter Dave Barry recognises a kindred spirit. 

ONE of the most memorable moments in Alkas Ali’s life was sharing a stage with U2.

As a supporter of Bono’s charity one.org, which fights poverty around the world, Alkas tells fans about it at U2 shows.

Instead of asking for money, he solicits support for online campaigns, petitions, etc.

“We walk round the audience before the show and ask people to sign up and take email addresses on a laptop,” says Alkas, who first saw U2 at Band Aid in 1985. Since then, he has seen them in Spain, Italy, Ireland and Scotland.

“It’s amazing what pressure can do; it’s one of the reasons why I like U2,” he says.

At the Glasgow show, Bono invited Alkas and about 20 other volunteers on stage. They each held a mask of Aung San Suu Kyi on a stick, walking around the stage in front of 100,000 people while U2 played Walk On, dedicated to the Burmese democracy campaigner. They were then allowed to watch the rest of the show from backstage.

 

Alkas is a humble, compassionate, unassuming and broad-minded humanitarian with a well-balanced view of the world and its problems. He has travelled widely, although not as widely as he would like, and hopes to visit Australia and America when he has more time. He is going to a wedding in Poland next month.

He identifies closely with Bono’s CoeXisT campaign, advocating religious tolerance. CoeXisT is written with the C shaped like an Islamic crescent moon, the X like a Jewish star and the T like the Christian cross.

“Because I was born in Bangladesh and brought up in this country I can see both worlds and help charities in both countries,” says Alkas, who speaks English, Bengali, Hindi and a little Arabic.

Alkas can talk to anyone, which is a useful attribute for a restaurateur, and one which springs from his friendly, altruistic disposition. “I can communicate with European, western people, and I can understand people in Asia. I respect people from different backgrounds and religions.

“I feel privileged to be able to understand; it enhances my life as a human being. I can co-exist with anybody; I like to think I can get on with most people.”

As a practising Muslim, Alkas prays every day and has taken his family to Mecca in Saudi Arabia on an Umrah pilgrimage; they will go again in April. He feels the time is not yet right for him to undertake the Hajj, the world’s largest pilgrimage, and one which every able-bodied Muslim should do at least once, if they can afford it. “You have to make sacrifices. It teaches you to be a better human being. Emotionally, I’m not ready yet; I need to be more aware. I have a lot more to learn.

Alkas and Bono

SCARBOROUGH restaurateur Alkas Ali talks about his life - his family, religion, work, sport and admiration for U2 frontman Bono. Reporter Dave Barry recognises a kindred spirit. 

ONE of the most memorable moments in Alkas Ali’s life was sharing a stage with U2.

As a supporter of Bono’s charity one.org, which fights poverty around the world, Alkas tells fans about it at U2 shows.

Instead of asking for money, he solicits support for online campaigns, petitions, etc.

“We walk round the audience before the show and ask people to sign up and take email addresses on a laptop,” says Alkas, who first saw U2 at Band Aid in 1985. Since then, he has seen them in Spain, Italy, Ireland and Scotland.

“It’s amazing what pressure can do; it’s one of the reasons why I like U2,” he says.

At the Glasgow show, Bono invited Alkas and about 20 other volunteers on stage. They each held a mask of Aung San Suu Kyi on a stick, walking around the stage in front of 100,000 people while U2 played Walk On, dedicated to the Burmese democracy campaigner. They were then allowed to watch the rest of the show from backstage.

 

Alkas is a humble, compassionate, unassuming and broad-minded humanitarian with a well-balanced view of the world and its problems. He has travelled widely, although not as widely as he would like, and hopes to visit Australia and America when he has more time. He is going to a wedding in Poland next month.

He identifies closely with Bono’s CoeXisT campaign, advocating religious tolerance. CoeXisT is written with the C shaped like an Islamic crescent moon, the X like a Jewish star and the T like the Christian cross.

“Because I was born in Bangladesh and brought up in this country I can see both worlds and help charities in both countries,” says Alkas, who speaks English, Bengali, Hindi and a little Arabic.

Alkas can talk to anyone, which is a useful attribute for a restaurateur, and one which springs from his friendly, altruistic disposition. “I can communicate with European, western people, and I can understand people in Asia. I respect people from different backgrounds and religions.

“I feel privileged to be able to understand; it enhances my life as a human being. I can co-exist with anybody; I like to think I can get on with most people.”

As a practising Muslim, Alkas prays every day and has taken his family to Mecca in Saudi Arabia on an Umrah pilgrimage; they will go again in April. He feels the time is not yet right for him to undertake the Hajj, the world’s largest pilgrimage, and one which every able-bodied Muslim should do at least once, if they can afford it. “You have to make sacrifices. It teaches you to be a better human being. Emotionally, I’m not ready yet; I need to be more aware. I have a lot more to learn.

“If you have family and religion you no longer have a broken society; it keeps you humble. My Asian and European culture and religion keep me in contact with reality and make me feel we’re only human. It’s a very peaceful religion. It gives me peace, harmony and a sense of belonging.”

In Sri Lanka, his inquisitive nature took him to the Temple of the Tooth, one of the biggest shrines to Buddhism. In Rome, he made a beeline for St Peter’s Church, one of the holiest Catholic sites.

Alkas says he has never drunk alcohol or taken drugs - “I never had the need.”

He is on a committee which aims to create an Islamic centre in Roscoe Street. “We’ve bought the building and got planning permission. Now we are looking at ways of raising the money we need.” The centre will cater for the town’s small Muslim community, numbering about 100. If you would like to make a donation, write to Dr Al Safa at PO Box 308, Scarborough.

In February, Alkas will visit schools in his birthtown, Sylhet, accompanied by a teacher from the all-girl Beverley High School. They want to build a link between the school and one in Sylhet. “It will look at different cultures, how they affect teaching methods, how we can help them improve teaching, and we will support them,” Alkas says.

Alkas and his wife Nurun married in 1987 and have three daughters and a son. Nasima, 22, qualified as an accountant last year after completing a degree-level Association of Accounting Technicians course while working at Winns. Nazia, 20, is in her second year at Teesside University in Middlesbrough, studying midwifery. Ruhul, 17, has just finished at the Sixth Form College. Romisha, 12, is at Graham School. “She’s her daddy’s spoilt girl”, Alkas says. “Asian and Muslim people are very family oriented,” he adds.

Alkas ranks his memorable moments as the birth of his children, visiting Mecca and sharing a stage with Bono, in that order.

 

Alkas was born in 1967 and emigrated to the UK with his parents and three siblings seven years later. Their first British home was in Burnley, where Alkas’s parents still live for half the year, spending the colder months in the warmer mother country. As a British citizen, Alkas must get a visa whenever he wants to go back to Bangladesh.

The family lived in Scunthorpe briefly before moving to Scarborough, following Alkas’s cousin Mahmud Ali, when Alkas was 15. He attended Raincliffe School and, after leaving, found his vocation while working at Indian restaurants, learning the ropes and gaining experience. He worked in Scarborough and two places near York: Jinnah on the A64 and the 200-seat Jaipur Spice in Easingwold.

In 2000, Alkas and his nephew Abul Ali took over Scarborough Tandoori in St Thomas Street. It had been opened by Mahmud in 1981, when it was the town’s only Indian restaurant. But it can’t claim to be the first as there had already been one on Falsgrave, which had closed by the time the Tandoori opened.

When the neighbouring property occupied for many years by Burkins cobblers closed, the business partners jumped at the opportunity to expand. Now the restaurant has 130 seats on two floors and is being refurbished in time for the launch of a new menu in the new year.

Two years ago, Alkas and a second business partner, Sahed Ahmed, opened Saba Thai, a short distance away.

“The biggest thing you need in this trade is enthusiasm. It’s a demanding business and you need to keep evolving,” he says. One of the ways Alkas tries to keep ahead of rivals is by conducting research abroad. In 2000 he visited the spice gardens of Sri Lanka to learn more about cardamom, cinnamon, cloves, etc. When he goes to Bangladesh in February, he will check out restaurants and talk with chefs with a view to creating new dishes.

Alkas’s other passions include sport, with football at the top of the list. He used to play in the local leagues and supports Manchester United “through and through”. He works out in a gym, and needs to be fit as he is a workaholic, usually putting in over 60 hours a week.

He loves cricket and is helping to organise a team of staff from three local Indian restaurants to play in Scalby Cricket Club’s second annual charity tournament on Sunday. The other teams are the host club, a group of teachers and a group of medics.

 

Favourite food: Indian and Thai

Favourite music: U2

Favourite film: Lord of the Rings trilogy

Favourite holiday destination: Sri Lanka

Favourite TV programme: Spartacus series

Favourite place in Scarborough: seafront

Three people you would invite to dinner: Bono, Nelson Mandela, Diego Maradona

Three U2's 12 Inch

Three was produced as a 12-inch and subsequently a 7-inch, with an initial run of 1,000 individually numbered copies. It has been reissued six times, but it remains a rarity and was first released on CD in 2008 as part of the bonus disc with the that year’s reissue of Boy.

The track order was determined by a listener poll on Dave Fanning’s radio show. Callers chose “Out of Control” to be the A-side of the record, with “Boy/Girl” and “Stories for Boys” as runners-up, constituting the B-side of the record. Following Three, the band released the singles “Another Day”, “11 O’Clock Tick Tock”, and “A Day Without Me” before releasing Boy, in 1980.


U2 performed all songs from Three live regularly in the band’s formative years. The earliest known performances of “Out of Control” and “Stories for Boys” took place in August 1979. “Out of Control” was written on lead singer Bono’s eighteenth birthday. “Boy/Girl” may have also been played at this stage: a song named “In Your Hand” may have been related in some way to “Boy/Girl” but no recordings of it exist.

The first confirmed performance of “Boy/Girl” took place in October 1979. All three songs were regularly performed on the Boy Tour in 1980–1981, although “Boy/Girl” appeared less than the others. “Stories for Boys,” which premiered at an unknown date in August 1979, was used as a concert opener a few times before being moved to late in the main setlist, nearer to “Out of Control”, which was typically the last song of the main set. In mid-March 1981, the Three songs were united to close the main set. “Stories for Boys” was first, followed by “Boy/Girl”, which segued into “Out of Control”.

This trilogy lasted until the end of the tour. “Boy/Girl” and “Stories for Boys” did not remain in the band’s live repertoire long after the end of the Boy Tour. “Boy/Girl” was played three times afterwards, while “Stories For Boys” was initially frequently performed on the October Tour before it was removed from the setlist in late March 1982. “Out of Control”, however, remained in the band’s live show for longer, rotating with “Gloria” as the concert opener on the War Tour and the first leg of the Unforgettable Fire Tour.

It then appeared twice late in the Unforgettable Fire Tour before returning sporadically to the setlist on the third leg of the Joshua Tree Tour and three performances on the Lovetown Tour. “Out Of Control” then had an absence from live shows of over eleven years. It was played again on 15 May 2001 on the Elevation Tour. After initial infrequent performances proved popular with fans, it became more regular in the setlist as the tour progressed. It was retained on the Vertigo Tour for special occasions; it was played a total of nine times, including instances in Toronto and Los Angeles where U2 performed it with local bands. “Out of Control” made its U2 360° Tour debut in São Paulo.

It made 5 other U2 360° appearances. The song was also the closer to the Glastonbury 2011 set. The Vertigo Tour also saw part of “Stories for Boys” return to the setlist - Bono acknowledged its lyrical relationship with “Vertigo” by snippeting some lyrics from “Stories for Boys” at the end of “Vertigo”. This snippet was a regular feature of shows on the Vertigo Tour’s first leg but was done only sporadically on the second leg and never on subsequent legs.

Bono Denies Chest Pains Report

It isn’t chest pains and it isn’t even vertigo, insists Bono. Just a routine checkup.

The U2 frontman denied reports he had been taken to the hospital after complaining of chest pains while on vacation in the south of France. Bono, 51, did go to Princess Grace Hospital in Monaco, but his spokeswoman said it was for a routine checkup.

“Despite press stories to the contrary, Bono has not suffered a recent health scare,” the spokeswoman said in a statement on the band’s website. “Reports of his being rushed to hospital for emergency treatment are untrue. Bono is in good health and enjoying a family holiday in the south of France.”

The scare was reported by the Irish Independent newspaper and picked up by several outlets.

U2 Donate Millions

Bono’s stock in Facebook may be worth an estimated value of $1 billion, but the U2 frontman and bandmates aren’t keeping all of their riches too themselves: This week, U2 donated $7.2 million dollars to Irish schools,Bloomberg reports, with the lion’s share going toward musical equipment and music teacher salaries. The remaining funds will go to charity organization Ireland Funds.

In other U2 News, Bono’s latest essay — following a series of op-ed pieces for the New York Times in 2009 — will pay tribute to fellow philanthropic entertainer Oprah Winfrey for a new book honoring her eponymous television show’s 25-year run.

And speaking of two decades ago, U2 are reissuing Achtung Baby (Super Deluxe Edition)  for the seminal album’s 20th anniversary.  

Blessings Aren't Just for the Ones Who Kneel.

Another song from the album, The Best of: 1980-1990, that contains Christian connotations, is the song, “I Still Haven’t Found What I’m Looking For ” While there are some Christians who maintain that Bono is renouncing his faith in this song, others maintain that Bono is simply expressing personal struggles with his faith and with temptation. Still others maintain that Bono is expressing his struggle with the current world.

Whether or not Bono is indeed facing a crossroad in his faith is mere speculation, but there can be no speculation on the Christian imagery that is so evident throughout this song. Verses seven through eight read,

                      I believe in the Kingdom Come
                      Then all the colours will bleed into one
                      Bleed into one
                      But yes, I’m still running

                      You broke the bonds
                      And you loosed the chains
                      Carried the cross of my shame
                      Oh my shame, you know I believe it

 

This last verse seems to indicate that Bono is a follower of Jesus Christ because he acknowledges that he has been set free from shame on account of what was done for him on the cross.  If Bono is affirming his faith, then how can he also be asserting that he has not found what he is looking for in Jesus Christ?According to Stockman, Bono is not speaking of his discontent in Jesus Christ but of his discontent with the current world. Stockman writes, “To have found what you’re looking for actually means you have died and gone to heaven!”

At the same time that Christians believe the cross has changed their lives.  There is still a hope in one day moving on to a place where there is no AIDS, poverty, violence, division in the Church, selfish motives, and other things associated with a fallen world. This whole idea of Christians still not finding what they’re looking for, falls in line with what Paul writes in Philippians 3:12-14:

Not that I have already obtained all this, or have already been made perfect, but I press on to take hold of that for which Christ Jesus took hold of me. Brothers, I do not consider myself yet to have taken hold of it. But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on toward the goal to win the prize for which God has called me heavenward in Christ Jesus.

From U2’s album, “U2 - The Best of 1990-2000Mysterious Ways,” also contains Christian content. It is interpreted that Bono is speaking about the Holy Spirit moving in mysterious ways, because the last verse directly refers to spirits.

                     Move you, spirits move you
                     Move, spirits ‘its move you, oh yeah
                     Does it move you?
                     She moves with it
                     Lift my days, and light up my nights, oh
 

 

Bono has publicly said that he believes the spirit is a feminine thing, which explains the feminine imagery he uses throughout the song. Another Christian component to this song is the last lines in the fourth verse which read,

                    If you want to kiss the sky, better learn how to kneel
                    On your knees, boy!

These lines indicate that prayer, or more specifically, repentance, is needed to reach heaven.This falls in line with Romans 10:9-10, which reads,

That if you confess with your mouth, “Jesus is Lord,” and believe in your heart God raised him from the dead, you will be saved. For it is with your heart that you believe and are justified, and it is with your mouth that you confess and are saved.

U2 has made music for the people, for you and me. Its not only about faith and the idea that you must follow one God, clearly if you listen to the music as a whole you will find that that blessings are for everyone.

Bono's Lyrics and Faith

The music of U2 has appealed to both Christian and secular audiences alike for well over two decades. Not only are the sounds and melodies intriguing but the lyrics exemplify powerful emotions which captivate audiences by identifying with inner emotions and struggles.

The man behind these compelling lyrics is Bono, U2’s exclusive song writer. But what is Bono trying to say through his lyrics? Is he touching on spiritual or even Christian issues, as Christian fans often suggest?

Although there is some truth in assertions that Bono’s songs are ambiguous, and vague this can not be generalized to all of his songs.  There are many songs in which Christian content is unmistakable. In this section, some of Bono’s most popular songs, namely those from U2’s compilation albums, The Best of: 1980-1990, and The Best of: 1990-2000, will be examined for Christian content.

Moreover, popular songs Bono has written from 2000-2005 will also be examined. Ultimately, the reason Bono’s songs appeal to both Christian and secular audiences alike, is because the songs resonate in people’s hearts as they are able to identify with the real-life issues of pain, doubt, fear, love, and hope.  

In 1987, Bono released, “Where The Streets Have No Name” which became an immediate hit. This song was inspired by the visit Bono and his wife Alison Stewart made to Ethiopia in 1985.  In Ethiopia they saw great disparity between the rich, city-dwellers and the poor, rural villagers who were dying in the desert.

Bono comments to Propaganda, the official U2 magazine( at the time), on how he was trying to sketch with this song a feeling reflecting either a spiritual or a romantic location.

 

He goes on to explain: “I often feel very claustrophobic in a city, a feeling of wanting to break out of that city and a feeling of wanting to go somewhere where the values of the city and the values of our society don’t hold you down. An interesting story that someone told me once is that in Belfast, by what street someone lives on you can tell not only their religion but tell how much money they’re making - literally by which side of the road they live on, because the further up the hill the more expensive the houses become.

You can almost tell what the people are earning by the name of the street they live on and what side to that street they live on. That said something to me, and so I started writing about a place where the streets have no name”


Even though  Bono is not explicit in identifying whether this place, where the streets have no name, is a new Heaven on Earth or not, the fact that status indicators would be written off certainly suggests that it is a place to which one would aspire. At the same time that the song exhibits a hope for a better world, it also exhibits a real emotional struggle of dealing with the current world. The first verse of the song reads:

I wanna run, I want to hide
I wanna tear down the wall

That hold me inside
I wanna reach out

And touch the flame

Where the streets have no name


These lyrics reveal a conflicted heart that wants to embrace and extend love, but is fearful of doing so.[x] The song’s last verse expresses the wickedness of humanity:

We’re still building and burning down love
                       
Burning down love
                        And when I go there
                        I go there with you
                        (It’s all I can do)

 
In essence, this song is calling people to rise up to the challenge of loving others in spite of different backgrounds, thereby disregarding labels of race, social status, nationality etc.

This notion of throwing off identity labels falls much in line with Galatians 3:28, where the apostle Paul writes, “ there is neither Jew nor Greek, slave nor free, male nor female; for you are all one in Christ Jesus.” Although Bono does not come out directly and speak about Heaven, he is clearly speaking about a peaceful place where love overrides all identity barriers.


Calling All Christians

Many believers criticize Bono for claiming to be Christian and failing to live in accordance with Evangelical standards and norms.  Steve Stockman summarizes the cynicism of Christians as, “they drink and smoke and swear, how can you believe that they are still Christians?

Likewise Mark Joseph explains many believe U2 is successful in the entertainment industry because “they [are] willing to submerge strong and devout statements of faith and devotion, and instead write songs that [are] vague at best, avoiding whenever possible direct references to God” Despite criticisms, it is clear that Bono’s personal spiritual journey deeply impacts his music.  He boldly quotes Psalms, chants Hallelujah, and openly worships God in front of stadiums of secular audiences.

His lifestyle reflects a strong relationship with his wife Alison Stewart and commitment to his four children.  The humanitarian causes he advocates resonate from a Christian point of view with Biblical imperatives declaring the necessity of faith’s alignment with social justice.

Ultimately, the extent to which Bono lives between Christ and culture is debated.

Todays suggested reading One Step Closer: Why U2 Matters to Those Seeking God