While there were 63 songs contending for a place at this year’s Oscars, only five made the final cut. Last year it was Oscar champ Bruce Springsteen who was snubbed for his Golden Globe-winning title track to “The Wrestler.” This year U2 and Paul McCartney got slapped down by the music branch of the academy for tunes written specifically for films. U2 wrote and performed “Winter” for “Brothers,” while McCartney did the same for “(I Want to) Come Home” from “Everybody’s Fine.”
Both of these musical powerhouses have a connection to the Academy Awards. U2 lost a best song bid at the 2002 Oscars for “The Hands That Built America” from “Gangs of New York” to Eminem’s “Lose Yourself” from “8 Mile.”
This year, the Irish rockers and Sir Paul both lost the best song race at the Golden Globes to “The Weary Kind” from “Crazy Heart.” That track — written by Ryan Bingham and T Bone Burnett — is in contention at the Oscars, as are two tunes from “The Princess and the Frog” by Oscar champ Randy Newman, “Take It All” from “Nine” by two-time Tony winner Maury Yeston and “Loin de Paname” from “Paris 36” by Reinhardt Wagner and Frank Thomas.
With such musical pedigrees, how did U2 and McCartney not make it into the final five this year? Oscars’ Rule 16 sets out the criteria for winnowing the list of eligible songs down to the final nominees. There was no need for the executive committee of the music branch to recommend that there be only three nominees, as the number of songs far exceeded the threshold of 25 that might have triggered such action.
Unlike other branches — such as acting, which uses a preferential ballot — the music makers screen clips of all the eligible entries and then score them on a sliding scale from 6 to 10, with half-point increments in between. If a member has a song in contention, they are ineligible to vote.
As per the rulebook, “If no song receives an average score of 8.25 or more, there will be no nominees in the category. If only one song achieves that score, it and the song receiving the next highest score shall be the two nominees. If two or more songs (up to five) achieve that score, they shall be the nominees.”
With five nominees this year, we know they all scored at least 8.25. Perhaps the tunes by U2 and McCartney broke that barrier as well but fell short of the even higher scores registered by the nominees.
U2 Appears Mile High
U2’s appearance at Invesco Field at Mile High on June 12 will be the biggest single-band concert in Colorado this year, but the third annual Mile High Music Festival will likely draw more people. The event will take over the fields surrounding Dick’s Sporting Goods Park in Commerce City on Aug. 14-15, organizers told The Denver Post. Moving the festival from July to August has multiple benefits, according to promoter Chuck Morris.
“It won’t be as hot in August,” Morris, president of AEG Live Rocky Mountains, predicted. “And we’re also a week after Lollapalooza, which will help with the routing of some of these bands.”
Morris’ team is busy booking, but he’s not announcing any acts until his initial artist announcement, due in early March.
U2’s Bono Says Yes to Jesus,
By Stephen K. Ryan
“but the thing that keeps me on my knees is the difference between Grace and Karma” …Bono of U2
Before President Obama commits to a meeting with cause celeb, The Dalai Lama, in Washington D.C., a meeting that will certainly enrage the already testy Chinese, he may want to brush up on the more sublime spiritual aspects of Buddhism and the Dalia Lama’s notion of Karma. Mr. Obama seems to be surrounded by bad Karma at a time when the healing benefits of “Grace”, at least according to Bono may be what is called for.
According to U2’s Bono, many people in the United States misunderstand, or at least he did initially, the ideals of “beauty and goodness” found in Buddhism and Karma, and he suggests that the “Grace” of Christianity is often overlooked and may do wonders for one’s soul.
In the book, Bono: In Conversation with Michka Assayas (Riverhead Books), the iconic rocker shared his thoughts on numerous topics with the French music journalist and friend who has been with the band since the beginning. In the book, Bono, offered the reader a glimpse into his “Christian” heart rarely seen.
Bono makes an explicit confession of faith. Bono says “but the thing that keeps me on my knees is the difference between Grace and Karma. At the center of all religions is the idea of Karma. You know, what you put out comes back to you: an eye for an eye, a tooth for a tooth, or in physics—in physical laws—every action is met by an equal or an opposite one,” explains Bono. “And yet, along comes this idea called Grace to upend all that… . Love interrupts, if you like, the consequences of your actions, which in my case is very good news indeed, because I’ve done a lot of stupid stuff.”
Bono says to Michka Assayas, a secular journalist “Look, the secular response to the Christ story always goes like this: He was a great prophet, obviously a very interesting guy, had a lot to say along the lines of other great prophets, be they Elijah, Muhammad, Buddha, or Confucius. But actually Christ doesn’t allow you that. He doesn’t let you off that hook. Christ says, No. I’m not saying I’m a teacher, don’t call me teacher. I’m not saying I’m a prophet. I’m saying: ‘I’m the Messiah.’ I’m saying: ‘I am God incarnate.’ … So what you’re left with is either Christ was who He said He was—the Messiah—or a complete nut case… . The idea that the entire course of civilization for over half of the globe could have its fate changed and turned upside-down by a nut case, for me that’s far fetched.”
Perhaps with a little more grace in the President’s life, Mr. Obama’s karma may begin to improve.
Letter to the Editor
We started a new series yesterday “Letters o the Editor” We are amazed at the amount of people that lots to say about the letter from “N” as we have always said we are fans and we do post both sides of the story. Sometimes fans have views that we may not agree with however that’s the nature of the business, music speaks to everyone differently and fans view bands differently.
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