Pauls Comments

Paul McGuinness has been talking to Hot Press about the imminent announcement of U2's world tour, which is likely to include three Croke Park stop-offs in July.

"This is going to be a very big tour, the biggest shows we've ever done," he reveals. "We're going to play stadiums only. Football stadiums. That excludes, for instance, baseball stadiums because the production that we've designed is 360 degrees. It's a stage with the audience on all sides."

Will the stage be in the centre of the arena?

"Not quite in the centre, it will be towards one end of the field in a typical football stadium, so the places we're playing will be tiered football stadiums; no flat fields, no festivals, no baseball stadiums. Only big, tiered stadiums."

As with previous U2 productions, there's a heavy emphasis on new technology.

"Well, yeah. I mean the engineering to do this, obviously it has to be a freestanding structure that has to support sound, lighting and video. And that's never been done before. Some people have performed in the middle of a field or maybe in a stadium on a one-off basis, but this is a touring production designed by Mark Fischer and Willie Williams, as usual. We've been talking about it for years, and this is the time we're going to do it. It will be necessary to tell people a bit about the production before the tickets go on sale because otherwise they're going to say, 'hold on, that seat is behind the stage'. Now, it's not behind the stage. There is no behind. So we'll be playing to very large capacities and that gives us an opportunity, or we think it's an opportunity, to scale the house in quite a radical way. So I think, when the tour is announced, which will probably be on March 9th, certainly we are going to start in Europe, and basically do six weeks in Europe, take a logistical break and then six weeks in North America. The large capacities give us an opportunity to scale the house and have some seats at very low prices, and there will be higher prices as well. But the breadth of the scaling will be wider than anyone has ever done in our business. That's kinda news."

Asked about all the Croke Park speculation, McGuinness says: "It's always best to know when you are going to announce it, because there are so many things affected by this, like hotels and airlines, and there's speculation on those commodities which have nothing to do with us. So we try to be disciplined about it, otherwise there can be unforeseen circumstances. Also, sometimes with sports facilities that we are looking to use around the world, we have to wait for sports leagues to resolve. Sometimes if a team loses, such-and-such a stadium becomes available. And all those things are a part of the planning so it's better to build up to it."

It's Hot Press' understanding that U2 will initially announce two Croke Park shows on July 24 and 25, with the option of a third on July 27 if, as expected, those sell-out.

Fans hoping for something a little more intimate will be heartened by McGuiness' observation that: "The new O² in Dublin is not what I would call an arena, it's an amphitheatre in layout, but it has the same capacity as an arena, and it's an amazing facility. And this tour is exclusively outdoors, there will be no indoor shows, but I look forward to a tour when we will be indoors again."

U2 360 Tour : On Sale

U2 360° TOUR :: 2009

DateVenueCityStateCountryPUBLIC ON-SALE
30 June 2009Camp NouBarcelona
ESON SALE SOON!
07 July 2009San SiroMilan
ITFri. 13 March
11 July 2009Stade De FranceParis
FRON SALE SOON!
15 July 2009Parc des Sports Charles EhrmannNice
FRON SALE SOON!
18 July 2009Olympic StadiumBerlin
DEON SALE SOON!
20 July 2009ArenaAmsterdam
NLSat. 14 March
24 July 2009Croke ParkDublin
IEON SALE SOON!
31 July 2009Ullevi StadiumGothenburg
SEFri. 13 March
06 August 2009Slaski StadiumChorzow
PLON SALE SOON!
10 August 2009Stadium MakimirZagreb
HRON SALE SOON!
14 August 2009Wembley StadiumLondon
GBON SALE SOON!
18 August 2009Hampden ParkGlasgow
GBON SALE SOON!
20 August 2009Don Valley StadiumSheffield
GBON SALE SOON!
22 August 2009Millenium StadiumCardiffWal.GBON SALE SOON!
12 September 2009Soldier FieldChicagoILUSON SALE SOON!
16 September 2009Rogers CentreTorontoONCAON SALE SOON!
20 September 2009Gilette StadiumBostonMAUSON SALE SOON!
24 September 2009Giants StadiumNew YorkNYUSON SALE SOON!

More Tour NEws

Kiss The Future, U2's world tour in support of its new album "No Line on the Horizon," will play stadiums around the world, beginning June 30 in Barcelona, Billboard can exclusively reveal. Details of the tour will be announced March 9.

It's a groundbreaking tour with production that includes a 360-degree audience configuration, ambitious staging and a cylindrical video screen. "We're very excited about the idea to go on the road with this album," the Edge says. "It's an album that I think is going to translate so well to the live context. The songs we've tried in rehearsal are sounding fantastic, so that's got everyone really fired up."

U2 will be playing in a setting unique among all previous tours, by any artist. The tour will be global and lengthy. U2 will stay in Europe through Aug. 22, then hit American shores on Sept. 12 with a show at Soldier Field in Chicago. The band will play in North America until Oct. 28 and plans on working the globe until the fall of 2010. In addition to its production firsts, the tour is destined to become one of the highest-grossing tours ever; at $389 million, the band's 2005-2007 Vertigo tour is second only to the Rolling Stones' A Bigger Bang trek.

After playing arenas in North America and stadiums elsewhere on their last few tours, U2 will play stadiums everywhere this time out. "This is going to be completely different, and that's what makes it exciting -- finding something new to bring to the touring culture," says the Edge. "It's hard to come up with something that's fundamentally different, but we have, I think, on this tour. Where we're taking our production will never have been seen before by anybody, and that's an amazing thing to be able to say. For a band like U2 that really thrive on breaking new ground, it's a real thrill."

As they have for well over a decade, Live Nation global music chairman Arthur Fogel and his team will produce and promote U2 worldwide. Committing to a global stadium tour is "obviously a major undertaking on a bunch of different levels," says Fogel. "On the last tour it basically broke down indoors in America and stadiums outside of America. Both shows were pretty different and they were both incredible, but I think the general feeling, and certainly mine, was the experience of U2 in a stadium is special and unique, and it would be great for North America to experience that the way the rest of the world did the last time around."

Playing in a 360 configuration will increase the capacity by about 15%-20%, depending on the stadium. The configuration opens up myriad opportunities for scaling ticket prices, an important consideration for Fogel and the band. The top ticket price will be slightly higher than last time and the bottom price will be lower, with the floor seats -- the closest to the stage -- the lowest priced. In fact, playing larger capacity venues allows for more conservative pricing overall. Field level is going to be $55, and there will be 10,000 tickets a show, every show, at $30, Fogel says. The price points are $250, $90-$95, depending on the market; $55 and $30.

On-sales will begin in Europe in mid-March, and North American on-sales will start in late March/early April. U2 will also resurrect its random upgrade program first seen on the Elevation tour [sic] in 2001, where select fans purchasing GA tickets will be moved closest to the stage.

The basic layout of the tour is Europe in July and August, America in September and October with a total of 40-45 shows this year; more stadiums in America in June and July next year, then August and September in Europe. The trek then tentatively will hit South America in the fall of 2010, for potentially as many as 90-100 shows over the next two years.

This will be the first tour under U2's 12-year multi-rights deal with Live Nation, though the band's relationship with Fogel dates back to a show at the El Mocambo in Toronto in 1979. "Arthur and I are great friends and I've been very interested in the Live Nation project for years now, and we've been very supportive of it," says U2 manager Paul McGuinness. "We obviously intend to go on performing for a long time to come and that's what the deal reflects. U2 always had parallel careers as recording artists and a touring act and it was always fundamental to our way of thinking that the two should be complimentary."

Up Coming Tour News

According to Billboard, U2's upcoming world tour will be called Kiss the Future. As has previously been reported, the tour begins in Barcelona, Spain, on June 30. U2 will stay in Europe through Aug. 22, then hit the U.S. on Sept. 12th in Chicago. The band will play in North America until Oct. 28, and plans on working the globe until the fall of 2010.

Playing in a 360 configuration will increase the capacity by about 15%-20%, depending on the stadium. The configuration opens up myriad opportunities for scaling ticket prices. The top ticket price will be slightly higher than last time and the bottom price will be lower, with the floor seats -- the closest to the stage -- the lowest priced. Field level is going to be $55, and there will be 10,000 tickets a show, every show, at $30. The price points are $250, $90-$95, depending on the market; $55 and $30.

On-sales will begin in Europe in mid-March, and North American on-sales will start in late March/early April. U2 will also resurrect its random upgrade program first seen on the Vertigo tour in 2001, where select fans purchasing GA tickets will be moved closest to the stage.

Stay tuned for the official announcement and tour dates on Monday, March 9th.

Horizon Hang Over

Really good, but not what I was expecting. U2 fans have been demanding a rocker of a song with a lot of depth and experimentalization for several years now. Get On Your Boots lives up exactly to Edge's summation and U2's desire to satisfy its fans.

But when we got what we wanted, for some U2 fans, it wasn't really what they wanted. U2 has said that they never were really a singles-type of band, but have remained relevent and viable to an enormous loyal worldwide fan base because of their depth and big picture mindset. This is not your typical first single release - a catchy poppish song with a big hook. It runs much deeper. Not what I expected for a first single - but I'm glad I did NOT get that typical pop first single we get from most artists. This looks like the makings of a very rich album, and I'm looking forward to hearing the rest.

Bono's charitable and diplomatic activities can be a two-edged sword. Ironically, They do seem to make him appear to removed from the real world that listens to U2's music, but they also provide a hunger for him to express in his lyrics. What should not go without being stressed highly - The world is also extremely hungry for new quality music - and I truly hoping that that hunger and drive is reflected strongly on this album.

What are your thoughts ?

A break in the horizon


Several readers have let us know that Amazon.com is selling downloads of No Line On The Horizon for only $3.99. We think this is a one-day deal. Here's the link. Look over to the right and follow the link.

It offers up a few new hits for the wedding playlist, but No Line on the Horizon is mostly restless, tentative and confused. It's not terrible, but it feels like the work of musicians torn between the comfort of the present and the lure of one last run into the adventurous past.
Now lets break down each song, one by one

"Stand Up Comedy"
Another hard rock tune, powered by an unexpectedly slinky groove and a riff that lands between the Beatles' "Come Together" and Led Zep's "Heartbreaker." Edge recently hung out with Jimmy Page and Jack White for the upcoming documentary It Might Get Loud, and their penchant for blues-based rock rubbed off: "I was just fascinated with seeing how Jimmy played those riffs so simply, and with Jack as well," he says.

"Crazy Tonight"
"It's kind of like this album's 'Beautiful Day' — it has that kind of joy to it," Bono says. With the refrain "I know I'll go crazy/If I don't go crazy tonight," it's the band's most unabashed pop tune since "Sweetest Thing."

"Unknown Caller"
This midtempo track could have fit on All That You Can't Leave Behind. "The idea is that the narrator is in an altered state, and his phone starts talking to him," says the Edge.

"Tripoli"
This strikingly experimental song lurches between disparate styles, including near-operatic choral music, Zooropa-style electronics, and churning arena rock.

"Cedars of Lebanon"
"On this album, you can feel what is going on in the world at the window, scratching at the windowpane," says Bono, who sings this atmospheric ballad from the point of view of a war correspondent.

"Magnificent"
"Only love can leave such a mark," Bono roars on what sounds like an instant U2 anthem. Will.i.am has already done what Bono calls "the most extraordinary" remix of the tune.

"Moment of Surrender"
This seven-minute-long track is one of the album's most ambitious, merging a Joshua Tree-style gospel feel with a hypnotically loping bass line and a syncopated beat.

"Every Breaking Wave"
A swelling soul-pop song, with bright synth sounds influenced by OMD and, Bono says, "early electronica." "You don't hear indie bands doing blue-eyed soul [like this]," he adds.

"No Line on the Horizon"
The title track's relentless groove began as a group improvisation. "It's very raw and very to the point," says the Edge. "It's like rock & roll 2009."

After reading I thought I might want to re-listen and gain some understanding that I may have missed, most often I need to listen a few more times to get it right.