U2TOURFANS 2010 Kick Off Contest !

Want to get a cool prize ? Read the whole story and find out how you can enter to win !

Welcome to 2010 U2 Fans! This is going to be a very interesting year. The tour starts again soon. We are U2TOURFANS a site dedicated to providing you a fan experience unlike any other U2 fan site. Sure you can find thousands of fan based sites on the web. 

As we move forward we thought this would be a good time to share with you all of the resources we provide to you the fan. Of course you already know you can follow us on Twitter but did you know you can subscribe to our YouTube channel?  Did you know that we have a facebook fan page designed to bring you all of the U2TOURFANS media properties to one location?

We have complete media outlet store where you can find books, CD’s, DVD’s and even download MP3 . All of your purchased are secure and backed up by the power of AMAZON Merchant Services.  We continue to build partnerships that make sense to you the fan. We are always looking for new partners if you believe you have a product or service our viewers would be interested in drop us an email. Our site has been funded by your purchases of products and services from our sponsors. However we have full control of our content and will never allow a sponsor to control our content. Please note we will never sell or provide our fan base list for any reason. We do not support spamming our fans ( because we too are fans)

Coming soon, we will be offering a book club. The opportunity to sign up read one of the many U2 books and become a part of the virtual round table of discussions. Our guest writer program will feature writers from around the world that are fans just like you. Have you ever thought about creating a U2 fan video? Now is your chance. We have just completed a fan based section for your video. Send us your video and we will post it and of course share it.  Tour Season kick off; once again we will have a full team out supporting the tour season. Expect to see videos, photos and daily reports from the concerts. Live tweet updates as well as chat sessions on facebook.  U2 concert tickets- 2010 we will be looking to give away concert tickets to some very lucky fans.

You’re the fan, you’re in control! Tell us what you would like to see or hear from us.

Last Item:  Send us your best U2TOURFANS.com photo contest. We are collecting U2TOURFANS.com photos of our fans. All you have to do is type, sharpie, and crayon, spray paint our name on anything you like and send your photo to us we will post them and the winner will get a super cool prize from us.  

We thank you for your support and interest in our community. Let’s make this another successful U2 year!



Swizz Beatz & Bono Pre-New Years

Swizz Beatz posted on his face book per New Years eve some photos of Bono and himself. Looks like the boys had a bit of a pre eve party. The press of course grabs the story and runs with it. Here is the full story and a couple of photos.

 Bono and Swizz Beatz 2009(RTTNews) - U2 frontman Bono apparently has a fan in famed hip-hop producer Swizz Beatz. With a few days to go before New Year’s, the two got the party started early, enjoying a few cocktails together while rocking out to a number of songs on Bono’s playlist.

“We’re already starting our New Year’s Party,” Swizz said on his Twitter page. “Much love to my brother Bono!” He also posted pictures of the two on the Internet.

Bono,U2 and Spirituality

Given the opportunity to explore U2 from Theological, Spiritual view we have watched many books, sites and interesting side notes appear. However the classic general introduction to U2 from a spiritual perspective comes from Steve Stockman’s well organized Walk On: The Spiritual Journey of U2; “Stocki” an Irishman who has been writing on the band since the early 80s and knows their milieu intimately. Also consider the works of Vagacs and Scharen as well as Garrett to complete your collection,  However, most of the best theologically informed writers on U2 are working in journals, magazines, and online. U2-and-God pieces are those by Steven Harmon and Mark Meynell

Since U2 lyrics reflect a thorough immersion in Biblical thought and language, it’s often useful to turn to Drawing Their Fish in the Sand, an online archive of scripture allusions in the band’s work.

Moving from reflection on U2 to material directly by the band, one option that will spark thought is Bono’s National Prayer Breakfast sermon in 2006, which can be viewed here (a 22-minute clip via CNN and YouTube) or purchased as the book On The Move (including photos from his service in Ethiopia with World Vision as a young man).  An often-reprinted excerpt from Bono in Conversation, displays the singer at ease in the role of apologist for faith.

And then there’s listening!  Novices should certainly explore a best-of album, or a classic like The Joshua Tree or Achtung Baby; however, U2 are above all a live band whose vision cannot be fully grasped from their studio material, which is in essence a preliminary sketch for what they eventually achieve in performance.

Their slogan: “Live is where we live.”

We would recommend a trip to YouTube. Either look up performances of your own favorite songs, or observe a few characteristic U2-plus-their-audience moments: Where The Streets Have No Name (2001),  Sunday Bloody Sunday (1988), Mothers of The Disappeared (1998—in Santiago with the real mothers brought onstage), the love song to the Holy Spirit Mysterious Ways (2009) and the ZooTV iteration of The Fly (1993) with Bono in character and disorientation on the agenda.

It’s a cliché to point out that the band’s name is a pun: You, too, can be part of this. With that outlook, it’s no surprise that I need to tell you that this guide just skims the surface of ways spiritually-minded listeners can interact with U2’s material. Come on in and mix it up; there’s room for everyone

There are big questions about some of the things they do and say. There are the financial decisions that U2 Inc. have made, there are other concerns of lifestyle and rock star egos, there are concerns about their theology and ethics. For example Christians some have cited their Coexist campaign (which calls on all the ‘Sons of Abraham - Jews, Christians and Muslims - to live together in peace) as evidence of universalism. Well, it may well be! Yet it is hard to deny the moral goodness of the objective.

If one needs labels (and how one wishes one didn’t), perhaps we should see U2 as ‘post-evangelical’ (in the sense of what Dave Tomlinson was getting at in his 1995 book of that name) more than anything else. That will leave many things to be desired for the regular evangelical, of course.

But it is interesting how often themes of historic Christian orthodoxy permeate and inform their creativity. It is of course easy for Christian observers to judge and condemn them - yet who of us can honestly claim to understand the choices, dilemmas and conflicts that arise from having such wealth and influence?

Nevertheless, they offer a profound challenge to Christians with their passionate and committed engagement with the world around us at the social, political and personal levels. U2 is one model of Christian artistic engagement at the highest and most exposed level.

You might not agree with everything they do; you may totally detest their music! But it is foolish to ignore their attempts – for in recent times, no another performers have brought a Christian worldview and set of values into the public square more wholeheartedly and globally than U2. U2: The Stadium Psalmists & Prophets Mark Meynell

Closing Thoughts. Most of us listen to music as background, something to fill the void. I challenge you to listen to music, really listen. Listen not only to U2 songs, but all songs. You find that references to God and man are vast and written deep within songs that you never thought would have any reference at all.

2010 will be another defining year for the boys, and we of course will be along for the ride “Will You?”

Suggested Reading

  1. Achtung Baby (33 1/3 album guide) Catanzarite, Stephen Continuum New York 2007
  2. Bono on Bono: Conversations Assayas, Michka Hodder London 2005
  3. Get Up Off Your Knees: Preaching the U2 Catalog Whiteley & Maynard (eds) Cowley Cambridge 2003
  4. Into The Heart: The Stories Behind Every U2 Song Stokes, Niall Carlton London 2005
  5. One Step Closer – Why U2 matters to those seeking God Scharen, Christian Brazos Gr. Rapids 2006
  6. Religious Nuts, Political Fanatics: U2 in Theological Perspective Vagacs, Robert Cascade Eugene, OR 2005
  7. The U2 Reader: a Quarter Century of Commentary Bordowitz, Hank (ed) Hal Leonard New York 2003
  8. U2 by U2 McCormick, Neil (ed) HarperCollins London 2006
  9. U2: An Irish Phenomenon Cogan, Visnja Collins Press London 2006
  10. U2: Into the Heart (the stories behind every song) Stokes, Niall Thunder’s Mouth London 2005
  11. U2: The Complete Guide to their Music Graham / Oosten de Boer Omnibus London 2004
  12. Walk On: The Spiritual Journey of U2 Stockman, Steve Relevant Orlando, FL 2005

U2's Best New Years Day Video

As we close out the year we thought about how we would like to end the year. Lots of choices came up. One suggestion was that we ask Nikki to be our guest writer again, of course we had request for our other guest writers Nikki was tops of the list. A suggestion came in for us to recap the tour, or even our thoughts of the next year. 

I thought I would end the year with something different. New Years Day the song was a major part of my life for such a long time. I thought I would ask you to vote on the best New Years Day video. The poll can be found on the front page of our site.

François KevorkianFrançois Kevorkian has Killer remix here from the 12” Single “Two Hearts Beat As One”
Remixed by François Kevorkian. Contains some extra lines not on the album version

The Promo was filmed in Sweden, on a very cold December day in ‘82 . So cold that some of the band got frostbite and for the horseback scenes the following day , they were replaced by four Swedish girls !!
Directed by Meiert Avis. Originally from the album ‘War’ produced by Steve Lillywhite and recorded at Windmill Lane, Dublin, Ireland

As they say in show business “Thats a wrap” We are finished for the year. This has been an interesting year for all of us. The tour was grand, the youtube rose bowl event epic and you the fan have been wonderful in your support of our work. Next year we will have lots of great new features. We look forward to sharing them with you. As always we welcome your feedback.

Cheers Dre

U2's most successful North America Tour

U2 had the most successful North American tour of 2009, according to music trade publication Pollstar.

The Irish band’s 360° stadium tour sold 1.3 million tickets in the US and Canada, worth $123m (£76.3m) overall.

Bruce Springsteen and the E Street Band came second, with tour takings amounting to $94.5m (£58.6m).

U2’s tour is the fifth most successful ever held in North America. The Rolling Stones hold the record, for a 2005 tour that made $162m (£100.5m).

Pollstar’s annual list is based on data provided by concert promoters and venue managers.

U2 may have suffered disappointing sales for their new album, but the Irish rockers were easily the most popular draw on the North American concert circuit this year, according to data issued on Wednesday.

The band sold $123 million worth of tickets to its stadium tour, while Bruce Springsteen and the E Street Band came in second with $94.5 million, said trade publication Pollstar.

Among all-time tours, the U2 trek ranks at No. 5, Pollstar said. The Rolling Stones hold the record with $162 million from their 2005 outing. U2’s 2005 tour is No. 3 on the all-time list with $138.9 million.

Pollstar editor Gary Bongiovanni said the overall concert business bucked the recession, mirroring a similar phenomenon at movie theaters. He said most people go to only one or two shows a year, and are willing to pay a premium for good seats.

U2 hit the road to promote its latest album, “No Line on the Horizon,” which failed to generate any hit singles and sold a relatively modest 1.06 million copies in the United States, according to Nielsen SoundScan.

Pollstar said the band played to 1.3 million people at 20 shows on the North American leg of its world tour, and charged an average of $93.77. The average price on the band’s 2003 tour, when it played 78 shows, was actually higher at $97.

Giant stage

U2 played 20 shows on the North American leg of their 2009 world tour, charging an average of $93.77 (£58) per ticket.

The tour featured a giant claw-like stage that offered largely unobstructed views of the veteran foursome.

 

Bono Grace over Karma

There have been a number of books written about U2 and their iconic frontman, Bono, arguably the world’s most famous rock star. Bono himself come out to tell his own story. The whole book can be found here.

Bono: In Conversation with Michka Assayas

In Conversation with Michka Assayas (Riverhead Books), the rocker shares his thoughts on numerous topics with a French music journalist and friend who has been with the band virtually since the beginning.

In a series of honest conversations presented in Q&A format, Bono discusses, among other things, his upbringing (including the death of his mother when he was a teen and the ensuing rocky relationship with his father. U2’s beginnings, his bandmates, his marriage, fatherhood, his passion for social action, the effects of celebrity, and, fittingly, his faith and how it intersects all of the above.

The following exchange between Bono and Assayas took place just days after the Madrid train bombings in March 2004, an act of terrorism that left 191 dead and more than 1,800 wounded.

The two men were discussing how terrorism is often carried out in the name of religion when Bono turned the conversation to Christianity, expressing his preference for God’s grace over “karma,” offering an articulate apologetic for the deity of Christ, and giving a clear presentation of the gospel message.

Bono: My understanding of the Scriptures has been made simple by the person of Christ. Christ teaches that God is love. What does that mean? What it means for me: a study of the life of Christ. Love here describes itself as a child born in straw poverty, the most vulnerable situation of all, without honor. I don’t let my religious world get too complicated. I just kind of go: Well, I think I know what God is. God is love, and as much as I respond [sighs] in allowing myself to be transformed by that love and acting in that love, that’s my religion. Where things get complicated for me, is when I try to live this love. Now that’s not so easy.

Assayas: What about the God of the Old Testament? He wasn’t so “peace and love”?

Bono: There’s nothing hippie about my picture of Christ. The Gospels paint a picture of a very demanding, sometimes divisive love, but love it is. I accept the Old Testament as more of an action movie: blood, car chases, evacuations, a lot of special effects, seas dividing, mass murder, adultery. The children of God are running amok, wayward.

Maybe that’s why they’re so relatable. But the way we would see it, those of us who are trying to figure out our Christian conundrum, is that the God of the Old Testament is like the journey from stern father to friend.

When you’re a child, you need clear directions and some strict rules. But with Christ, we have access in a one-to-one relationship, for, as in the Old Testament, it was more one of worship and awe, a vertical relationship. The New Testament, on the other hand, we look across at a Jesus who looks familiar, horizontal. The combination is what makes the Cross.

Assayas: Speaking of bloody action movies, we were talking about South and Central America last time. The Jesuit priests arrived there with the gospel in one hand and a rifle in the other.

Bono: I know, I know. Religion can be the enemy of God. It’s often what happens when God, like Elvis, has left the building. [laughs] A list of instructions where there was once conviction; dogma where once people just did it; a congregation led by a man where once they were led by the Holy Spirit. Discipline replacing discipleship. Why are you chuckling?

Assayas: I was wondering if you said all of that to the Pope the day you met him.

Bono: Let’s not get too hard on the Holy Roman Church here. The Church has its problems, but the older I get, the more comfort I find there. The physical experience of being in a crowd of largely humble people, heads bowed, murmuring prayers, stories told in stained-glass windows …

Assayas: So you won’t be critical.

Bono: No, I can be critical, especially on the topic of contraception. But when I meet someone like Sister Benedicta and see her work with AIDS orphans in Addis Ababa, or Sister Ann doing the same in Malawi, or Father Jack Fenukan and his group Concern all over Africa, when I meet priests and nuns tending to the sick and the poor and giving up much easier lives to do so, I surrender a little easier.

Assayas: But you met the man himself. Was it a great experience?

Bono: We all knew why we were there. The Pontiff was about to make an important statement about the inhumanity and injustice of poor countries spending so much of their national income paying back old loans to rich countries. Serious business. He was fighting hard against his Parkinson’s. It was clearly an act of will for him to be there.

I was oddly moved; by his humility, and then by the incredible speech he made, even if it was in whispers. During the preamble, he seemed to be staring at me. I wondered. Was it the fact that I was wearing my blue fly-shades?

So I took them off in case I was causing some offense. When I was introduced to him, he was still staring at them. He kept looking at them in my hand, so I offered them to him as a gift in return for the rosary he had just given me.

Assayas: Didn’t he put them on?

Bono: Not only did he put them on, he smiled the wickedest grin you could ever imagine. He was a comedian. His sense of humor was completely intact. Flashbulbs popped, and I thought: “Wow! The Drop the Debt campaign will have the Pope in my glasses on the front page of every newspaper.”

Assayas: I don’t remember seeing that photograph anywhere, though.

Bono: Nor did we. It seems his courtiers did not have the same sense of humor. Fair enough. I guess they could see the T-shirts.

Assayas: I think I am beginning to understand religion because I have started acting and thinking like a father. What do you make of that?

Bono: Yes, I think that’s normal. It’s a mind-blowing concept that the God who created the universe might be looking for company, a real relationship with people, but the thing that keeps me on my knees is the difference between Grace and Karma.

Assayas: I haven’t heard you talk about that.

Bono I really believe we’ve moved out of the realm of Karma into one of Grace.

Assayas: Well, that doesn’t make it clearer for me.

Bono You see, at the center of all religions is the idea of Karma. You know, what you put out comes back to you: an eye for an eye, a tooth for a tooth, or in physics & mdash;in physical laws—every action is met by an equal or an opposite one. It’s clear to me that Karma is at the very heart of the universe.

I’m absolutely sure of it. And yet, along comes this idea called Grace to upend all that “as you reap, so you will sow” stuff. Grace defies reason and logic. Love interrupts, if you like, the consequences of your actions, which in my case is very good news indeed, because I’ve done a lot of stupid stuff.

Assayas: I’d be interested to hear that.

Bono That’s between me and God. But I’d be in big trouble if Karma was going to finally be my judge. I’d be in deep s—-. It doesn’t excuse my mistakes, but I’m holding out for Grace. I’m holding out that Jesus took my sins onto the Cross, because I know who I am, and I hope I don’t have to depend on my own religiosity.

Assayas: The Son of God who takes away the sins of the world. I wish I could believe in that.

Bono But I love the idea of the Sacrificial Lamb. I love the idea that God says: Look, you cretins, there are certain results to the way we are, to selfishness, and there’s a mortality as part of your very sinful nature, and, let’s face it, you’re not living a very good life, are you? There are consequences to actions.

The point of the death of Christ is that Christ took on the sins of the world, so that what we put out did not come back to us, and that our sinful nature does not reap the obvious death. That’s the point. It should keep us humbled. It’s not our own good works that get us through the gates of heaven.

Assayas: That’s a great idea, no denying it. Such great hope is wonderful, even though it’s close to lunacy, in my view. Christ has his rank among the world’s great thinkers. But Son of God, isn’t that farfetched?

Bono No, it’s not farfetched to me. Look, the secular response to the Christ story always goes like this: he was a great prophet, obviously a very interesting guy, had a lot to say along the lines of other great prophets, be they Elijah, Muhammad, Buddha, or Confucius.

But actually Christ doesn’t allow you that. He doesn’t let you off that hook. Christ says: No. I’m not saying I’m a teacher, don’t call me teacher. I’m not saying I’m a prophet. I’m saying: “I’m the Messiah.” I’m saying: “I am God incarnate.” And people say: No, no, please, just be a prophet. A prophet, we can take. You’re a bit eccentric. We’ve had John the Baptist eating locusts and wild honey, we can handle that. But don’t mention the “M” word! Because, you know, we’re gonna have to crucify you. And he goes: No, no.

I know you’re expecting me to come back with an army, and set you free from these creeps, but actually I am the Messiah. At this point, everyone starts staring at their shoes, and says: Oh, my God, he’s gonna keep saying this. So what you’re left with is: either Christ was who He said He was the Messiah or a complete nutcase. I mean, we’re talking nutcase on the level of Charles Manson.

This man was like some of the people we’ve been talking about earlier. This man was strapping himself to a bomb, and had “King of the Jews” on his head, and, as they were putting him up on the Cross, was going: OK, martyrdom, here we go. Bring on the pain! I can take it. I’m not joking here. The idea that the entire course of civilization for over half of the globe could have its fate changed and turned upside-down by a nutcase, for me, that’s farfetched; Bono later says it all comes down to how we regard Jesus:

Bono: If only we could be a bit more like Him, the world would be transformed. When I look at the Cross of Christ, what I see up there is all my s—- and everybody else’s. So I ask myself a question a lot of people have asked: Who is this man? And was He who He said He was, or was He just a religious nut? And there it is, and that’s the question. And no one can talk you into it or out of it.

'Killing Bono' shooting to begin

Dave Long 2009Plenty of schoolchildren dream of becoming famous singers, but when a boy on the other side of the classroom goes on to become one of the most famous rock stars in the world, you could end up feeling a little overshadowed.

That is exactly what happened to Neil McCormick, who went to school with a boy called Paul Hewson - better known these days as U2’s Bono.

So could it be jealously then that inspired the title of the new movie ‘Killing Bono’, which is based on Mr McCormick’s memoirs?

Filming of the story, which is set around U2’s formative years in a north Dublin comprehensive school, is set to begin in Northern Ireland early next year.

It tells the story from the point of view of the rather less successful rival band which Mr McCormick and his brother set up in the late 1970s.

‘Music-based comedy’

The film, which is funded by Northern Ireland Screen with help from Invest NI, will be directed by Nick Hamm.

It is not the first time that the Belfast-born director has brought inspiration from his native city to the screen - his 2001 thriller ‘The Hole’, starring Keira Knightley, was heavily influenced by his time as a student at Belfast’s Campbell College.

“Killing Bono” which has been described as an “Irish music-based comedy” will feature music from Castledawson singer/songwriter Joe Echo.

Neil McCormick, who now works as a music critic for the Daily Telegraph, published his autobiography, ‘I Was Bono’s Doppelganger’ in 2004, which included a foreword by the singer.

He said he was delighted that the film was being supported by Northern Ireland Screen and hoped that the film would be released in the summer of 2010.