Adiós México nos has dado una buena vida
MEXICO CITY, May 16 .- The hybrid spacecraft and time machine that U2 named as The Claw (The Claw) rose, as the title of Elevation sentence, one of his most popular songs, the euphoria over 100 000 passengers who yesterday gathered at the Estadio Azteca to say goodbye to the Irish band in their third and last concert in Mexico in the starting phase of its North American tour of its 360 ° Tour.
Bono (vocals), The Edge (guitar), Adam Clayton (bass) and Larry Mullen Jr. (drums) manned the mammoth structure along a little over two hours of a journey through their hits, their classic tracks and some compositions of his latest album No Line On The Horizon.
Given a field bleachers filled and the Colossus of Santa Ursula loyal fans packed alignment Dublin, Bono and company embarked on a musical recorrdido its history, which began in 1976 and to date has become the rock group largest gathering in the face of the Earth that has made their current tour the most successful of all time, earning an estimated $ 700 million.
Prior to the performance of the group Snow Patrol opening act, as he did last Wednesday and on Saturday, far exceeded expectations, U2 came out to the tune introductory Space Oddity by David Bowie to play Even Better Than The Real Thing from his acclaimed album Achtung Baby! which this year celebrates 20 years of its appearance.
With the public on the stock since the beginning of his show, the quartet demonstrated that falls short of its lavish trappings as it did the day before, made some variations in the setlist to include songs such as New Year’s Day, Pride (In The Name Of Love) All I Want Is You “and” Hold Me Thrill Me Kiss Me Kill Me.
Except these minor adjustments, the huge machinery of U2 hows work in his two previous concerts with the desired response of a given audience participatory start to finish that marked both the sensory and surround sound experience in his background as a successful implementation and to peace speeches by Bono, alluding to the sale of U.S. arms to Mexico’s northern border for drug trafficking.
After his first and only encore that included One, Amazing Grace, Where the Streets Have No Name, Hold Me Thrill Me Kiss Me Kill Me, With Or Without You “and” Moment of Surrender, Bono and his “cronies” as he singer summoned his bandmates, they said goodbye to the jubilation of his followers and the desire for a new visit to a consensual bands and more power convcatoria the country.